Here is another important clue:
THE SMALL PARCHMENT ABOVE REPRESENTS THE LOST SYMBOL, THE EARLIEST RENDITION OF THE SACRED CROSS OF CONSTANTINE – A CROSS THAT HE AND HIS ARMY SAW IN THE SKY – SOLVE THE TRUE MEANING OF THE SACRED CROSS OF THE SKY.
Here is a second set of clues:
Three of the most important talisman seals are shown here with more on Constantine's sacred cross, found at Clavicules du Roi Salomon.
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The lost symbol secret revealed by Ptolomy the Grecian, as seen in the Sloane manuscript – British Library, 3847 – has one predominant depiction and encoded within it, appears to be the sacred cross that Emperor Constantine saw in the sky. But here, the entire secret is presented with all its detail. Let it be said that the Key of Solomon talisman (the parchment with the orange glow) holds the identical detail but with a different code. The balance of the ‘Ptolomy’ manuscript is also completely immersed in what seems to be false destructive magic and alchemy used to take acion against those found with this manuscript.
The image suggests that the Solomon lost symbol secret involves the sacred cross and Jesus the Saviour. Here is important speculation:
The cross that Heretics were crucified on seems to have been carefully chosen symbolic punishment specifically aimed at silencing those who dared preach knowledge about forbidden records of the sacred cross in the sky... the lost and forgotten symbol.
The small talisman next to the prime "Key" of Solomon talisman is one of the first simplified examples of the Sacred Cross insignia, the pattern of the lost symbol as seen at the top of this website. This Sacred cross is the "Key" of Solomon... the "key" showing the way to the secret.
Its secret can be deciphered only from the way it actually appears in the sky – exactly like the lost symbol icon shown in the 10 o’clock position of the larger Solomon talisman.
It is one that is also easily visible in the night sky today and has been revered by ancient civilizations from the beginning of time as identified in Wayne's book as seen here. Wayne deciphered that ancient civilizations worshiped so called 'gods' that associate themselves with one special star seen in forgotten ancient star maps.
In the manuscript extracted sketch, below - it has a small note next to the sketch beckoning the reader to “remember proportion” within the image.
It is still nick named today as it was in ancient times:
“The cosmic signpost”.
The lost symbol of the "Key" of Solomon... is Orion... Orion as a "key" shows the way to the secret!
The Key is also the Key of St Peter and the Key of Hiram Abiff!
It shows the way to Tetragrammaton… in the heavens.
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Online source of the manuscript
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
Hebrew Ptolomy Clavicle/Key of Solomon legend
Tetragrammaton – An early Paleo-Hebrew word that with unclear definitive interpretation but generally refers to:
"One that is of the highest position in the heavens - the place of the Elohim"
Judas Codex – Christ shows Judas the lost symbol as a star pattern in the sky – see last few seconds of the documentary preview
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For three centuries after the crucifixion of The Christ, his followers were in very small numbers and they worshiped in secret. It was at a time when the Greek religions prevailed. They were primarily based around their ultimate god Zeus, worship of the Sun and the celestial bull of Mythras.
Up until then, Christianity was a forbidden religion and those who were caught delving into it were fed to the lions for the entertainment of a very sadistic Roman population.
What follows here, will initially appear to discredit Christianity, but once more truth emerges in its entirety, the significance of The Christ will become much clearer.
History is about to reveal a great deal about The Christ that will suggest how human he really was, as opposed to being God incarnate. Many writers will no doubt see the opportunity in making a fast dollar in discrediting Christianity. However, it will soon also become clear that in all probability there is a more plausible possibility how one can interpret how The Christ claimed he was ‘God’ in specific texts. It is likely that the Creator of this vast universe spoke through him at important times (just as was the case with other great messengers in history). There is also no doubt that his ‘heavenly’ father was what history has recorded as the Eloheim. Who the Eloheim really were, will also become much clearer in this article. There is more to this messianic story that meets the eye and it will also elevate the significance of many of the other great messengers throughout history, as the truth associated with their lives begins to fit in with the fundamentals of what virtually all belief systems originally claimed before they were altered by mortal hand. In all probability, the new evidence that will be presented on this website will inspire even those who are self-proclaimed atheists.
Around 300 years after the crucifixion of The Christ, Roman Emperor Constantine was the one who introduced Christianity as it stands to this day. Constantine claimed to have had an encounter that would be classed as a paranormal event today. It occurred before an important battle. He was visited by brightly dressed beings that came down from the heavens. The important message to him and his imposing army involved the witnessing of a sacred cross formation seen in the sky. He was told about its significance and that if he celebrated its importance, he would be triumphant. He subsequently decreed that his army’s shields be decorated with the cross insignia that is referred to as the Labarum or Chi-Rho.
He was triumphant, and on returning to Rome probably realised that the ‘message’ he received was relevant to something hidden within the ‘original’ gospels of Christianity. The sacred cross secret must have coincided in some way. Why else would he begin to use this sacred Chi-Rho cross of the sky as the title representative of The Christ?
It was also Constantine who would decide that only four out of the entire collection of gospels would be accepted into his version of Christianity. No doubt they were those texts that he believed would be the most palatable to a predominantly Mythras and Zeus worshiping society.
It is interesting to note that although The Christ and his apostles were originally Aramaic and Hebrew, the copies we find today of the so called ‘original’ four gospels, are written in Greek, the predominant language of Rome at the time. One cannot help wondering what happened to the original Hebrew and Aramaic testimonies that were written at the time of The Christ. Another interesting point that can be made here is that the name of The Christ, who was believed to be the ‘son of God’ was a man born with the Hebrew name Yeshua, yet his name would become the spoken name “I-seous Chris-tus” after the time of Constantine.
The adjustment suggests that it may have been altered by the Romans, perhaps to introduce his greatness to its people in a way that would be more acceptable to those of the old tradition of belief. The name Yeshua was adjusted to: “I-seous”, the pronunciation of which is strongly suggestive of: “of Zeus” (Zeus was the previously accepted ultimate God of the Romans). The pronunciation of the name “Chris-tus” also sounds very close to what is pronounced “Chris-cross” in English to explain the image of a cross. For now though, let us assume that this is a coincidence and let scholars argue over the reasoning why his name was altered.
What are probably more than merely coincidences in the religiously accepted Christ story are some other ancient Greek Sun worship overtones: Initially ‘Sun’ of God was replaced with ‘Son’ of God and in some cases there seemed to be an overlap where the two were confused. What about the celebration of the rebirth (rising) of the Sun each year on the 25th of December called Sol Invictus? This was the very day that would later become the day on which the birth of the ‘Son’ of God would be celebrated. If this sounds like mere speculation, I challenge you to read on for further corroborating evidence that it is anything but chance.
Also, there were 12 apostles. This inadvertently matches the ancient Greek religion that attaches special importance to the meaning of every month in a 12-month year. In many Renaissance paintings, like Leonardo Da Vinci’s ‘Last Supper’, the apostles were often depicted into four groups of three, coincidently like the four seasons of the year. He was born of a virgin mother, like the earlier ‘gods’ and in many depictions shown as being breast fed by his mother, which is virtually identical to how the Egyptian Solar goddess Isis is portrayed.
Some convincing evidence can be found in the earliest written gospels of The Christ story that will allow us to unravel part of the mystery: The birth of The Christ was recorded in the Greek gospel of Matthew without the traditional Sol Invictus “Sun rebirth” depiction in the sky. Instead preference was given to the significance of a special star being visible in the sky.
This sheds light on some very important clues: What possible connection or interpretation similarity could there be between our Sun and an important star in the sky? Especially in the context of the testimony of beings that came down from the heavens. One must also wonder about the importance of the very early accounts of a worldwide celebration of this star on top of a Yule tree that was especially selected because it has a conical shape? Was it possibly linked to the biblical Jacobs ladder account or was it perhaps inspired by something else? Without a doubt it appears to match the star at the centre of the larger Solomon Key talisman parchment on this web page, with what looks like a conical beam of light or ladder coming down from it.
When it comes to the Matthew gospel, scholars are still at loggerheads over whether the three ‘wise’ Magi or ‘Kings’ who supposedly came from the east, is an accurate interpretation. Many say they were probably not even people at all.
Incidentally, the word Magi can also be interpreted as the study of the stars, probably more in the context of astronomy here than astrology. The word ‘wise’ is another clue when considering stars in this context. What it seems to hint at is wisdom that can be found if one knows the meaning of the strange collective meaning of the Three Magi/Kings.
Everything here points towards a celestial solution… real stars. A possible alternative interpretation of the text also includes the lost symbol of the sacred cross that Constantine appears to have witnessed. It is an interpretation that becomes apparent when one considers the historical Freemason interpretation of the meaning of the Three Kings that are ‘of the sky’.
For this reason let us consider the significance of the Three Magi as the belt stars of the constellation of Orion in the Matthew text, which in all probability is also the sacred cross of Constantine.
In the general English traditional version of the Matthew text, in brief:
The Three Kings from the East, ‘follow' the direction to a special star associated with the birth/beginnings of The Christ.
Or, alternatively:
The three stars of Orion’s belt rise in the East, and if one follows the alignment, the direction one would ‘follow’ (eyesight) would be to a special star associated with the birth/beginnings of The Christ.
What follows is an extra clue to something monumental that may well have inspired author Dan Brown with his new book (in all likelihood to be titled ‘The Solomon Key’). More detail on this will soon be posted on this web page:
The above scenario sounds remarkably similar to a celestial phenomenon in the northern hemisphere that is measurable annually on the 4th of July with the rising of the Sun.
In the alternative Matthew text interpretation, what the observer is following is the phenomenon of three stars rising in a row in the east. They direct one’s line of sight towards a star of great importance. The star ostensibly associated with the birth or beginnings of The Christ.
What could be so important about a star one might ask?
There is one thing, and one thing only, that stands out in the context of celestial beings (Messengers/Angels/Cherubim) that came down from above:
What has to be considered is whether the star in question is a record, not only of a real star in the heavens, but also of a star system so to speak, a solar system that may have been the place of origin of the celestial visitors that history originally spoke of, namely the “Tetragrammaton” or the “Eloheim”. This of course begs the question whether the cosmic beings were real flesh and blood entities, which were not only present in the form of spirit beings.
The aforementioned very thought provoking statement makes greater sense at the hands of the very ancient biblical epics of Moses and Ezekiel. Like the Key of Solomon, these accounts are also ancient Hebrew accounts that dealt with the presence of Cherubim and the connections here can lead us to a greater understanding of the hidden truth. In the case of Ezekiel, the Old Testament speaks of four strange flying craft of the Cherubim deities – four ‘wheel within a wheel’ flying discs with domes of crystal on top of them. The earliest accounts of this story speak of the forgotten truth of the dual wheel combination, where one wheel was within the other, and they were BOTH on their sides. This invaluable record is only found in old print Bibles over 100 years old. The description was indiscriminately changed in the printed editions thereafter, creating the impression of two independent wheels rotating at right angles to one another. One cannot help wondering, which group of scholars altered the original text, let alone who had the audacity to approve the altered version. Was it an attempt to make it different to the old flying discs of the Hindus, Egyptians and Sumerians perhaps? Here is a recreated depiction with care taken to include as much as possible of what the earliest Ezekiel text refers to, as well as incorporating both the records of very ancient depictions, as well as modern day sightings of what has been consistently seen in the heavens.
Click the image below for a larger depiction. At present the rights are only available for it to be used as a wallpaper or free printable poster.
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The ancients added birds’ wings to their renditions of the celestial discs and beings, to teach about the unique ability of flight that was integral to both of them.
Across the ages there have been many sightings of flying ‘wheels within wheels’, but more recently, some have been seen with the kind of mechanical detail reminiscent of a man in a throne on the top of the object, inadvertently matching Ezekiel’s testimony exactly. |
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(Ref: B. Meier sighting and contact with beings of human lineage that said they were from a star near the Pleiades). No researchers seem to have recognised the matching visual detail. More recently, the lost gospel of Judas reveals a very important star reference that is made mention of. It is where The Christ speaks to Judas in his last hours.
While pointing to a star in the heavens, The Christ says something along the lines: “Behold Judas… this star is also your star to follow”. Once again this is remarkably similar in tone to the Matthew text, which beckons the Three Wise Men to ‘follow’ (in alignment) to the star of Bethlehem. National Geographic then inadvertently takes this story to a whole new level. The scene is of the night sky in the film footage and it seems to suggest that there is more to this story than scholars are currently prepared to comment on.
The footage ‘coincidently’ depicts three bright stars in a row that align with one all-important star.
(See earlier reference link for National Geographic video and star depiction).
What also seems to be beyond coincidence, is the producer’s choice of showing the star in question with a slight yellow spectrum. This is the same colour spectrum as our Sun!
By now many readers will be wondering what does this seemingly off track Christ story have to do with the Key of Solomon mystery, if anything?
In the image below, the secret pertaining to the star emerges in all its glory. It shows the earliest talismans of the ancient Hebrews that are the only record we have left which seem to be the original ‘Key of Solomon’ secret.
The probable answer to the ‘star mystery’ is what is seen in the 10 o’clock position of the larger of the two very ancient Key of Solomon talismans, the icon referred to here as the 'lost symbol'.
A ‘criss-cross’ icon is shown precisely how the star constellation of Orion appears in the night sky, and it is also appears to be represented in the smaller talisman (with the title ‘Sacred Cross’) where the icon was traditionally shown as a simplified insignia of a cross within a cross.
The telltale clue is in this smaller talisman. It depicts the traditional sacred cross detail already found in the larger talisman, with the tiny star cluster comprising what astronomy terms: Orion’s sword. (Orion’s sword is the cluster that appears to be a line of what look like 4 blurred stars in a row where one of them has a red haze nebula around one of the stars). On an exceptionally clear night and with absolute perfect vision one can occasionally make out at least six of the tiny little stars in Orion’s sword. The head of Orion is along the same line of alignment and is also comprised of another cluster of around four tiny stars. In the two sacred cross comparisons that are ringed in grey, the one on the absolute right is an enlargement of the Solomon Key icon where the sword (with 6 dots) is ringed in orange. Compare this with the slight hint of the star cluster detail in the circled image titled ‘Sacred Cross’, where it too has its counterpart circled in orange.
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Wayne is almost certain since he sent this material to Dan Brown through his agent over a year ago, if he is a real researcher he would no doubt have something worth while to say about this key piece of evidence. It is after all, the oldest Hebrew talisman in the most popular Key of solomon manuscript collections in the British Library.
Could the lost symbol of the cross within a cross insignia (labelled ‘sacred cross’ in the image above) be the very same sacred cross seen in the blue icons below it that have evolved as the religiously revered sacred cross in all variations of Christian religion? This is a very sensitive question. Theologians agree that the ‘sacred cross’ is not the cross that The Christ was crucified on, yet no theologian has explained what exactly the historical versions of the cross insignia shown in blue represent. This in itself is a question that has remained unanswered for far too long. It appears to be the very same cross as the Greek “Chi-Rho” pattern that Constantine was shown in the sky, which he then inscribed on his army’s shields. See more here on Wayne's findings on the
Sacred Cross.
It is therefore quite probable here in the image above that the two encircled depictions of crosses are one and the same. This is an important breakthrough in theology if it turns out to be true and many will soon see that it is also the key to deciphering the meaning of the layout of the Vatican City, especially the St Peter’s Piazza at the Basilica in Rome, which was designed in the form of the lost symbol, Constantine’s great cross. The strange thing was the choice of inserting a sun worshiping Egyptian obelisk in the middle of it. It is obviously a clue to inspire the interpretation of the secret, but in the context of all the positions of the Egyptian obelisks in Rome. It is not at all strange therefore that the statue of St Peter is holding a ‘key’, while he points down the great causeway towards the east in the direction of the great secret. (Another spectacular clue that will be explored later).
St Peter was crucified on a cross. Perhaps what the Romans were trying to do, was send out a strong warning: All those who speak openly about secret knowledge on the sacred cross (The lost symbol) would be put to death on a cross. The meaning of the sacred cross was probably a secret only shared among the elite.
Note how the earliest Chi-Rho symbol in the image above has a ‘P’ with an arrow head on it as if to signify a pointer phenomenon. Note how in the earlier talisman depictions on this web page (the group of three talismans) the Chi-Rho icon is also included in these, together with Orion clues. Now look back also at the animation overlay image of the earlier Clavicle of Solomon insignia and how it too seems to celebrate the Orion constellation showing the way to the location of a star that is associated with Tetragrammaton… in essence… the Eloheim!
Note how ‘coincidently’ the Orion shaped icon, the lost symbol in the larger Key of Solomon talisman above, has its belt stars in alignment with the star shown in the middle of the talisman that is depicted with four tiny little circles around it.
Even if one accepts there is only a grain of truth to the probability that the Bethlehem star is the very same ‘Judas star’, which can be found using Orion as a cosmic sign post, then one is ready to read further. If not, then in all probability you the reader have not had the chance to click on the all important reference links that elevate this article on to solid ground.
But which way is it that one would need to follow from the three in a row alignment of the belt stars of Orion? Do we follow the alignment to the brightest star in the night sky to Sirius, or do we follow in the other direction towards the ecliptic, (the path of the Sun), towards the area of the celestial bull?
There is a solution and it is concluded from what seems to be a massive collection of hidden records that only a handful of people are presently aware of.
Let us take a closer look at the large Key of Solomon talisman parchment (below) and question if there is any further reference to be deciphered as to exactly where this special star is found in the heavens.
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What could the square around the star symbolise with two partial curves on either side of it?
Why are the stars around the outer rim depicted with little lines extended from them?
In astronomy – these two clues alone speak volumes!
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When it comes to direct references to sacred star constellations in the Bible, there are four distinct references, and two star groups stand out far more than any other. It is as if all the other stars in the heavens are just stars, except for Orion and the Pleiades:
Job 9:9
“Who created Arcturus, Orion and the Pleiades?”
Amos 5:8
“Seek the Creator of the seven stars of the Pleiades and those of Orion.”
Job 38:31
“Canst thou bind the sweet influences of the Pleiades or the band of Orion.”
The significance of the alignment of Orion’s belt seems evident here. The use of the word “bind” is clear: To present the stars as sacred knowledge collective groups in their records by joining/binding the important stars together. It is done by joining lines to outline a constellation, or more importantly to highlight a ritual of sacred knowledge using King Solomon’s ‘magic’ ring. This will be reasoned below.
Revelations 1:16
“In Christ’s right hand he has seven stars…”
The Pleiades: Scholars agree that the only stars generally referred to as a seven star cluster at the time of the Christus were the Pleiades. The symbolism, like that of the Matthew text, contains an encoded allegory that only the wealthy minority of the well educated would be in a position to reason. This style of encoding symbolism is repeated in another codex that follows, and more detail will be found here like no other manuscript to date. The Revelations text also makes mention of symbolism. Seven candles in the sky with the seven stars: The Hebrew Menorah.
Is this not the answer to the origin of the sacred Menorah?
The meaning of the Menorah could be the celebration in one’s home of the seven sacred celestial lights of the Pleiades.
It is said that the Star of David itself also represents the seven sacred stars in the heavens (six points and its centre seven). Could it be symbolic of the Star of David representing a special star? What has to be researched, if it is associated with the area of the seven stars, are the clues that have been left behind. This can be compared to the Masonic sacred star (later) where a seven pointed star is depicted as the ultimate Blazing Star with reference to the orientation and close proximity of seven other stars (see later). The Star of David originates from King Solomon’s father, King David, and it is said to be comprised of one triangle overlaid over another that is inverted. What does this mean?
This symbolism will now be explored and compared to the American one dollar bill and something important that follows a little later. The secret involves two other nearby Sun-like stars to add to the story, but not forgetting that this story is still focused on the most important Sun-like star out of the three ... a Trinity. The triangle in the heavens appears to be the inverted triangle, which will soon be debated if it represents either the holy trinity above, as three spirits in the heavens, or represents three solar deities as a Trinity (see link below). The latter predates the other.
According to Wayne Herschel, author of the controversial book, ‘The Hidden Records’, which explores ancient star secrets - it represents three sun-like stars near the Pleiades in the heavens. Giving extensive references, Wayne’s book claims that there are nearby sun-like stars accurately represented in the area of the Pleiades in the records left behind by virtually every ancient civilisation who built grand monuments. His theories will be compared on this website in the context of what follows. He believes the triangle in the sky is formed by joining the three sun-like stars, and on the ground the triangle pointing upward represents the shape of a pyramid or temple – the traditional symbolism of: “As above so below.” For more on the history of all three Sun-like stars and the origin of the Trinity... Click here.
In the Testament of Solomon, the Hebrew Menorah of seven candle sticks is clearly quoted by King Solomon in context of its celestial representation as stars. But here the truth seems clear, suggesting seven stars aligning towards the place of those that come from above. King Solomon asks about the secrets and ritual of celebration of what reads as celebration of seven such stars in the heavens that seem to align to the 'ultimate star', the 'Wain' star of thy 'house' in the heavens: Ref line 31: see words highlighted:
"Hear, O king... light SEVEN LAMPS in a row, thou wilt firmly FIX THY HOUSE...
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With greatest of respect to the Hebrew community Wayne proposes his hypothesis in the image above. It is just a hypothesis after all, although its human uplifting meaning challenges traditional interpretation due to all the other supportive evidence of this star pattern. The grand meaning of the icon includes ALL of humanity as its chosen race, and not just those of one belief. The triangle of three 'Sunlike stars' as a trinity in the heavens near the Pleiades merge over the ultimate temple, the pyramid on the ground to form the Star of David... and yes... a real 'star' of David. The seven candle lamps in a row show the way (as a celestial alignment like the belt stars of Orion) to the star of David.
The image above should be compared to the seals on the American one dollar bill. If one looks closely at the dollar bill, the pyramid seal has its capstone floating in an illuminated scene just as the grouping of stars in the counterpart seal. One merely has to overlay one illuminated theme over the other to experience its enlightening secret. Closely watch the flash image below as one illumination is placed over the other and note also how the wingtips of the eagle, and its feet and its tail touch the letters M-A-S-O-N when the whole seal is carefully overlaid over the other. Are we seeing proof of three stars in the heavens as the triangle pointing down to Earth, while the temple or pyramid is the triangle pointing heavenward thus representing the stars on the ground? Watch the Flash animation below very closely.
“As above so below.”
It is important to mention that the most common sacred ancient Sumerian and Persian star depictions and gods found on hundreds of scroll seals now in museums across the globe are: The Pleiades. (There are 5 excellent examples in the British Museum labelled as the Pleiades).
The predominant theme in the Biblical Revelations text is the return of the Christus.
The seven stars he holds most likely symbolise the place in the heavens where he originates from.
He will arrive riding a “cloud” (see the Ezekiel article above for what is in the cloud). There is also strong symbolism here of a two-edged sword coming out of his mouth in the next line. It suggests he will fight the leaders of destructive society with his words.
A graphic re-enacted image is shown here. Copyright limits the use freely only on a home-based computer as a wallpaper, but it may not be used for any publication without permission. Click the image to save it as a wallpaper or if you want to see more clues encoded inside the image.
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See the star positions in the above image to reason the three Magi ‘following’ the way to an important star, “the Bethlehem star”.
There is one really special codex (ancient text) to follow, which is going to bring more clarity to the grand secret. One that refers primarily to the Pleiades and Orion and a special star, but this ancient text adds even more: It provides complete decoding of the detail found on the famous zodiac disc at the Temple of Dendera in Egypt that has baffled historians for centuries.
The Testament of Solomon codex is stored at the Paris Library and a link to one of the translations by F. C. Conybeare with comments by scholar J.H. Peterson will be referenced below with its online source. Please use the reference links as the key words in bold discussed are actually highlighted in the sourced Solomon Testament document online.
The 1700 year old codex originates probably as a translation from many earlier versions, and was perhaps rewritten at the same period in time as the Judas Codex was written. Since it is supposed to have been originally written by King Solomon who existed another 1300 years before this date, one wonders how many altering translation interpretations it was subject to. The codex reveals many new secrets about King Solomon. Its tone suggests that Solomon was very typical of the God fearing nations of this epoch and his character here is nothing at all like the greatness with which he is portrayed in the traditional biblical epic. In this manuscript he implements slavery to build his great temple and his interest in many women comes across as obsessive. He is said to have had many wives, and fathered many children. If this is true then his direct descendants today would probably number in the millions.
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Another captivating theme one comes across in the manuscript is King Solomon’s ‘magic’ ring given to him by an angel and how he uses it to do something unusual to some magical mythological oddities translated as “demons” (some of which are really not entirely that evil). The latest carefully reconstructed image of the ring is seen here, as proposed by author Wayne Herschel. The reasoning of its design will follow. The exact identity of the demons conclusively has nothing to do with spiritual entities at all, and the obvious meaning becomes clear instantly.
An encrypted star code was identified within the Testament of Solomon years ago initially by scholars although very little was said.
What appears conclusive from earlier scholars and Wayne Herschel’s new research here, is that this codex contains a dramatised fictional mythological account of how the ancients interpreted secret knowledge of the stars. The description of the “demons” and their so-called “binding” are the means to identify real star constellations. In some cases angels are mentioned and these are probably real celestial visitors who were teachers of the star secret. Their technology seemed to produce miracles that were seen to be magic.
It would appear that the scribes of the elite have re-encoded the original 3000 year old testament with all its secrets into a dramatised mythological tale to encapsulate the enigma of the heavens, notably the stars. It seems to be exactly the same methodology found in the Clavicular Solomanis manuscript where some hidden cosmic truths of the same theme are present.
The most interesting thing from an astronomer’s point of view is where Solomon speaks of “binding” each “demon”. Well, if the “demons” are stars, the word “bind” makes absolute sense here. This is what ancient and modern astronomers do. In their representation of star groupings and the collective names they give these, they bind the stars with ‘joining lines’ between each star.
These are the constellations!
Now if Solomon is doing so with his ring, he is performing something astronomers do today when pointing to the stars. Just like at Wayne's star viewing evenings. We use high wattage laser pointers and re-create the path between the stars visually, and in a sense, also teach of the 'binding' of the star constellations. This extreme sounding interpretation is not so bizarre when it is read in the context of the Solomon text.
The ring is most likely an advanced compact lighting device to outline the important star patterns and their secrets while his people watch and learn.
It is therefore highly probable that the angelic beings who visited Solomon gave him this ring as a device to teach his people, of the secret of the stars and the place of the Eloheim.
The interpretations of the codex are still debated among scholars to this day. A scholar J.H. Peterson partly identifies the strange likeness of the so-called “demons” to description of the zodiac constellations. The scholar has also recognised that the Pleiades are mentioned here. See text ref below.
The Menorah mentioned earlier is also in the Solomon Testament.
Solomon writes:
“Seven lamps in a row thou wilt firmly fix thy house.”
This sounds remarkably similar to Wayne Herschel’s theory that the Menorah celebrates the stars’ alignment as another cosmic signpost: The Pleiades showing the way to an important star. Just as the belt stars of Orion also show the way, but more refined and in closer proximity to the special star. It is also near the path of the moon (Ecliptic) associated with King Solomon. See reference below.
Here is another very important clue on the talisman and it is easily reasoned. It helps in identifying more coordinates in deciphering the position of the star at its centre which appears to be the objective of the talisman puzzle. The image below is an expanded version of what is within the square on the talisman (compare it to the next image). The Ecliptic (the path of the Sun) is an important celestial coordinate and here is the proof. Wayne noticed the usage of the ancient Egyptian symbolism, a glyph of the Sun on the horizon and he believes it is represented twice here. The Egyptians called it the Akhet and here it seems to represent both Sunset and Sunrise.
Not only that, Orion is about to prove its interpretation with one more little piece of evidence. Orion is placed at the 10 o'clock position on the talisman, and in this exact orientation for good reason. When Orion is above the Western horizon it matches this orientation. It also places the sacred star where the ancients consider it sacred... when it is just above the horizon! This is fantastic not only as presenting an ideal match but it is about to reveal the rest of the puzzle clues. It suggests there is another constellation to be deciphered here and one that can reveal its coordinate intersection and orientation on an Eastern Horizon position... above Sun rise.
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In the Solomon Testament codex, mention is also made of an important constellation of seven stars that is near to the most sacred star which apears also to be important in ancient Egypt. It is translated as the “Wain” star near a group of seven other 'demons' (stars). It was perhaps the same star near the most sacred constellation that the Egyptians celebrated as the leg/thigh depiction and it was also of the great celestial bull (Most likely Taurus). For years scholars have been guessing that this thigh shape depiction of a cluster of stars had nothing to do with Taurus and they thought it was the Great Bear constellation, (again this interpretation is unlikely because those stars are not near the ecliptic). Wayne had found (depicted in his book) that it matches the Pleiades convincingly, which is thigh shaped, is also in Taurus and is near the ecliptic. Perhaps it also fits the talisman puzzle?
Ref: Solomon Testament Codex– See highlighted key words: Things in heaven, Pleiades, ring, Seven lamps, seven stars, fix thy house, star, moon, Wain, Great Bear
Before going any further it is now time to complete the Solomon Talisman secret. Enough clues have been identified to complete the deciphering of the last few conclusive details. We already have identified Orion earlier and that it is orientated to align with the ‘ultimate’ star in the middle, just like the belt of Orion is the way to find it in the heavens.
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Furthermore, the star matches its position claimed in the Solomon Testament, which is just below the ecliptic. The ecliptic was mentioned in the text and it seems to match the talisman!
The meaning of the square and the two curves on each side of the star as we have just seen most likely represent sunrise and its path to sunset - the Ecliptic.
The four Hebrew words apparently around the square represent the four most important Angels of the Hebrews. This is to be expected since the star secret can only have come from celestial visitors.
This leaves one more unsolved detail - the outer star ring puzzle.
Earlier we spoke of “binding” the stars and in astronomy one does this creating little lines between the stars forming a group, a constellation. There are little lines on the outer star circle – All one needs to do is sequentially assemble the puzzle and methodically doing so in an anti-clockwise direction, starting from the Orion alignment showing the way to the first puzzle piece.
Here is the solution. The animation below reveals the Solomon Key star secret as the star system of the four angels and most likely the star of the “Eloheim” as it aligns with Orion’s belt, positioned below the ecliptic. Its ingenious methodology is recreated as Solomon “binds” the “demons”- the stars.
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Does the Dendera Zodiac star disc of Egypt hold the same secret?
Was this secret shared with the Vatican and early Freemasons?
How does the layout of Washington DC fit the star secret?
What is unique about the sky in Washington on the 4th of July?
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The 4th July... Why was it chosen as the date for the last great Templar battle? What could be so important on this day in the sky? |
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Dan Brown will no doubt include the Testament of Solomon codex in his next book because it is full of powerful shocking material that will keep readers gasping for more. Many important star names in astronomy have their origins in the beginnings of great civilisations, especially those that were seen to be most sacred. As was to be expected, some star names in our two sacred constellations coincide with the names of “demons” and fit into the codex in exactly the same positions as they do in the sky. (See references that follow):
The text begins with the prime “demon” Ornias (Orion?).
Followed by Beelzeboul (sounds like the star Betelgeuse in Orion).
Followed by Onoskelis (sounds similar to the star Bellatrix in Orion).
There is also mention of a group of three “demons”:
Bultala, Thallal, Mechal (sounds very close to Mintaka Alnilam and Alnitak, the names of the belt stars of Orion).
The text also generalises a larger place in the heavens as Tartarus (sounds close to Taurus). The reference link below has the key words highlighted in the codex:
Ref: Solomon Testament - Highlighted text - Ornias, Beelzeboul, Onoskelis, Bultala, Thallal, Melchal, Tartarus
In the recently released Judas codex translation, Christ claims he is about to reveal to Judas the “ultimate secret” about a special star which is also Judas’ star “to follow”.
The same spoken theme appears in the Solomon Testament codex suggesting that one must ‘follow’ towards one particular star on the ecliptic. (This text most likely suggesting the alignment of Orion’s belt showing the way).
How do we know it is on the ecliptic?
Twice the Solomon Testament mentions that a sacred star is positioned near the path of the moon, which is on the ecliptic. So we already have a co-ordinate reference.
In fact it gives a lot more: It claims the star is sometimes seen on the edge of the crescent horn moon so we now know exactly how close it is to the ecliptic path since we know the radius of the moon.
Then mention is made, like in Greek tradition, of the seven sisters of the Pleiades – a group of seven female “demons”.
The reference link below identifies where in the text these points (in bold font) are as key words which are highlighted in the codex:
Ref : Solomon Testament - Highlighted text - thirty-three, cosmic ruler, fix thy house, crescent horn moon, follow, Seven lamps, in a row, seven stars, Pleiades, star
But there is another breakthrough here that will unlock the mystery of the exact place where our theorised mystery star resides in the heavens.
It will also suggest an interpretation of what appears to be the secret of the Masonic ritual ascending up a cosmic ladder to their blazing star.
There is also text in the Solomon Testament that coincidently seems to be identical to the Freemason sacred degree measurement of “ascending” to their highest degree ranking – the 33 degree.
In Freemasonry one has to wonder if the 33 degree level represents the celebration of “the missing” cosmic measurement that has been absent all along. A measurement that would define how far one would have to travel with a cosmic ruler, so to speak, in alignment with Orion’s belt to find what is termed the Freemason blazing star. In old way of speaking: To fix thy house in the heavens – the place of the Eloheim.
The 1700 year old Solomon Testament claims that 33 elements of the cosmic ruler of the heavens are measured to follow to something sacred.
See the reference link above to find the highlighted keywords in the codex.
As a researcher Wayne Herschel believes he has found the correlation. To explain the complicated detail only an image will do justice to this particular breakthrough. Here is a re-created view (below) of how the sky generally appears in the Northern Hemisphere when Orion rises vertically on the horizon in the East at a particular time that will be mentioned further on. (Note - scale sizes of the Pleiades and Orion have been enlarged for clarity). Observing the stars rising on the horizon in the East was an ancient Egyptian ritual to identify sacred stars with sunrise.
The image depicts how one can find the location of what appears to be the ultimate sacred star using only a pair of dividers and a setsquare. The tiny star is catalogued as a class D spectrum Sun-like star.
Coincidently these two instruments form the icon of the Freemasons
The dimensions solved so far:
X = Moon radius from Ecliptic
Y = proportional distance extracted from ancient star maps
Z = 33 Degrees
The dimension Y will be explained further on where it not only fits proportionally in George Washington’s star map, it fits many other ancient star maps that will be referenced at the end of this article.
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"We are of the thirty-three elements of the cosmic ruler of the darkness." Ref: Testament of Solomon.
A quotation extract from the codex where an 'entity' of the seven stars of the Pleiades speaks to King Solomon of the place of their heavenly 'house' (words are highlighted in codex link above for easy location).
Note the usage of the dividers and the setsquare. This is close to the mechanism of how the sextant works for ancient ship navigators… except the angle of 33 degrees is set.
Here is how you find the star with these two instruments. As Orion’s belt rises in the east as seen in the image, set a perpendicular rod into the ground in front of you using a set square or a plumb line so it stands vertically, as you look eastwards. Then set your dividers at 33 degrees and one arm of your dividers with the highest star of Orion’s belt above horizon while both arms of the dividers are pointing through the vertical rod plane in front of you. Now view along the other divider arm heavenwards (thus at 33 degrees from Orion’s belt highest star). Here is where the special star resides although it is too small to see with the naked eye. With a little more initiative, like an astronomer, the same basic process can be carried out using a telescope aligned at 33 degrees above Orion’s belt.
Ever since this ancient epoch, astronomy has always measured in the very same original unit – arc degrees.
Here is an important thought to ponder on:
If it turns out that this secret in the image above is true and was celebrated in ancient civilisations throughout history, then one must wonder if there are any modern monument layout plans that could incorporate this secret when viewed from the heavens? The reasoning:
To attract our advanced ancestors to revisit once again.
It would be quite easy to construct such a landmark. The way to do it would be: In place of the rod/pole that is set standing perpendicular in the ground, perhaps build a massive pillar with an arrowhead pointing skyward but try do it including an ancient style or tradition. But even more to the point, perhaps build one’s official meeting place in an important place so the visitors are guided where to meet for first contact so to speak.
Such a building or residence would need to be built projecting a clue skywards that the secret is known here, perhaps recreating the point where one would view the event from (in the image above), the area where the eye is shown. One would merely depict the 33 degree dividers on the ground leading towards the meeting place.
This is going to make a lot of sense at the end of the article.
We have just seen that the binding of the heavens by joining stars with little lines, spoken in the text is also the key to unlocking the oldest sourced talismans, and we are now about to see it unlock the secret of another un-deciphered enigma about one of the oldest star records in ancient Egypt.
The Dendera zodiac disc at the temple of Hathor at Dendera, up until now has had scholars argue inconclusively about its complete meaning.
It has at it centre, what appears to be a clear representation of the genesis of the “Wain”/thigh constellation (Pleiades). The stars’ “birth” created so to speak from the Hippo goddess Tawaret’s womb, and hence the reason for its positioning in the most important place in the disc.
The thigh constellation is represented here most likely as the “Wain” constellation as mentioned in the Testament of Solomon codex. It is fair to reason this interpretation here as the Pleiades because it fits far more perfectly than any other constellation.
The image here presents more on the Dendara star secrets. By clicking the image it will take you to the author’s book website where the full story will be explored… but consider coming back to this evidence later, so as not to break the flow of what follows.
For now, consider the interpretation of the thigh of the bull constellation as the Pleiades, and its correct orientation with the genesis hippo goddess and her womb, and the orientation position of two important sun-like stars. The star cluster orientation match will be measured in the sky further on as it rises above the eastern horizon. As it rises above the horizon in ancient Egyptian tradition, it symbolises its “rebirth” so to speak.
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The Solomon testament mentions all the Zodiac star representations and their mythological characters as seen in the Dendera disc. But there are many other components that need clarifying for it to be considered as a complete match.
The 36 Decans of the sky are in the Solomon Testament and in the outer perimeter of the Dendera disc. The Milky Way diagonal and the Ecliptic diagonal appear to be there too. Both are in the correct orientation if the thigh of the bull constellation is that of the Pleiades. The Pleiades form part of the bull constellation of Taurus.
Wayne Herschel has found what he is absolutely certain are the earliest symbolic records of a UFO arrival event of the gods of ancient Egypt. In ancient Egypt, the celestial disc was traditionally depicted with wings to signify flight, (see Washington Memorial internal wall mural at the end of the article) just like their gods were depicted often with wings in typical bird feathered wings, as were angelic beings of the past. But there is one of the earliest papyrus depictions, in which far more is revealed.
There appears to be a very important misinterpreted depiction showing the first time in Egypt, with an arrival of a celestial ‘disc’ ship so to speak of the gods.
It is found on a papyrus in the Egyptian Museum.
Not only does it depict a typical UFO radiating bright coloured light, but it is depicted with tripod legs and a dome top… and there is more.
There is a pictogram showing where it landed, as well as where it came from!
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The papyrus depicts the celestial ship of the gods coming down from the area of the Pleiades (leg of bull) and…
…it landed on top of the flat back of the Sphinx!
Here is the simple interpretation of how the Egyptians used pictograms perhaps aimed at those who were not able to read hieroglyphs:
When images touch each other or are close to each other, they are positioned symbolically. The story is generated from these pictograms connecting, and in this case it reads as follows:
The representation of the cosmos in the form of the goddess Nut (star representation) touches from horizon to horizon. She spreads herself across as the firmament and touches the bottom line thus representing terra firma...
… She touches the leg of the bull constellation (Pleiades – bottom left of image) to signify that it is the Pleiades in the heavens where the celestial disc originates from…
… The bull’s leg – the Pleiades – is next to the Sphinx suggesting this is the landing port. It is the famous Sphinx at Giza. The sphinx has its title correctly incorporated with it…
… And with the sphinx is shown the famous Dream Stele and Osiris’ head, which represents the statue that used to be positioned under the sphinx’s chin…
…On top of the back of the Sphinx… behold… there is a disc with a dome radiating coloured light and it stands on three legs.
… The edge of the celestial disc touches the back of the Sphinx’s head It appears to whisper the answer to another age old secret…
The place of entry to the legendary Hall of Records.
This position at the back of the head of the sphinx (see image below) seems like the most plausible entry of the ‘gods’. The Sphinx stands as a raised platform like a modern heliport, once with a protective water moat around it and the safe height away from any threats, be it mortals or wild beast.
There seem to be the faint remains of what appears to be an old arched flat fronted door. The flat cut away is without doubt noticeable at the back of the Sphinx head and is not at all a normal shape for the typical pharaoh’s head dress. (History has it that an Egyptian king repaired the neck when part of the back of the head collapsed inward (hollow). There is another clue here.
Early explorer Howard Wyse used dynamite trying to reopen what was filled in. His attempt apparently failed and shortly afterward it was quickly repaired with limestone pigmented cement.
One has to wonder if the reports of him failing to gain access are untrue. Have the written accounts of this Sphinx’s head excavation story intentionally been hidden from history? Did Howard Wyse find his way below to something out of this world? One can only speculate.
The meaning of the image in the middle of the papyrus follows, showing Horus presented like in the earliest genesis records where he is reverted from bird head human body to human head with bird body. He is present in the celestial ship now depicted in cross section. It has its own floating line drawn beneath it.
Wayne Herschel believes this can only represents its ‘own’ terra firma indicative that the ship is ‘flying’ above the Earth terra firma.
It is an accurate cross section of what one would expect of a disc object.
The story shows the interaction between the gods in a close up theme that seems to speak of intimate interaction between two completely different cosmic lineages! The written account on the papyrus has been translated in the style of the ‘scholarly’ Wallis Budge interpretation, as a religion of gods from the heavens interacting in a sacred ritual of star and sun worship. From a simplistic translation like this, the only conclusion that one would inevitably come to, was that what it depicted nothing more than the celebration of a worthless ancient belief, when in fact this papyrus was conveying so much more.
Perhaps Dan Brown will not refer to UFO's in his next book simply because as a novelist he will probably need to adhere to the already proven very popular DaVinci/Templar genre. Scholars seem uncomfortable with what seems to have inspired the sacred fan ritual of the Egyptian kings, especially since the oddity at the back of the head of the giant Sphinx statue does look a little like the sacred fan. But scholars have failed to reason what inspired the ancients to re-enact the meaning of the ceremonial fan.
It appears to celebrate the ship of the heavens.
Think about it for a moment, the bright coloured feathers of certain birds, like the peacock for example, would have been the ancients’ only frame of reference for the unbelievable colour radiating from the disc (as in the Ezekiel event). Therefore designing something using unique colour feathers, a ceremonial fan, was the most obvious way to celebrate the celestial ship itself.
Lalibela in Ethiopia, Africa, is a valuable historical site where there are 12 churches that were ‘magically’ cut out of solid rock. A mystery that is still today considered a miracle by the Christian priests that protect it.
This ancient site, high above the source of the Nile River is also known for another claim its leaders of the great stone churches have made for centuries.
They say they are the keepers of another Solomon secret.
They claim to protect the original golden Ark of the Covenant from the Solomon Temple when it was destroyed. They occasionally hold an annual procession through the street with a dummy ark and carry many gold and silver sacred cross artifacts. These ornate crosses reproduce another matching interpretation to Constantine’s sacred cross as Orion and a special star. Image follows shortly.
When looking at the layout of Lalibela and its rock churches (highlighted areas below), note how the area highlighted in blue is shaped like a bull’s thigh theorised by Wayne Herschel to represent the Pleiades. The most intricately carved church is also the most famous of the stone churches (highlighted in yellow within a circle) and it is located in the celestial position when representing the special star of the heavens. Compare this ancient secret with the layout of Washington DC below. Is the match a coincidence and are there any more ancient sites to compare this pattern with? The answer is yes. See the end of the article links to ancient sites.
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Another forgotten ancient site in Iran holds more clues to this star secret and what we find at this site will also be compared with Lalibela above as well as Washington DC. It is an area that compares the largest man made monuments on this Earth. But it will also be compared with what appears to be the remains of some of the largest ancient monuments found on another planet…. Mars.
Malik Shah was explored over seventy years ago by British explorers who were able to fly over it and photograph what they referred to as the remains of ruins like the barrows of Silbury Hill in the UK but many times larger and flatter. One is symmetrically oval and one has the typical bull’s thigh shape. Although they appear like a collection of mine dumps, scholars have concluded they are ancient ruins and should be compared to the pyramid civilisations.
In the image below the leg shape area still needs verification as no scholar has been able to access any recent high resolution satellite images yet but in all probability this monument interpretation below is more than likely real. Compare the thigh anomaly here with the insert image of the Dendera thigh constellation of ancient Egypt, then compare the oval anomaly with the same “x” monument that marks the spot on Mars. The link is at the bottom of the page. Mars and Malik Shah have the same flat oval design. The remains on one of them resembles a human face.
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The star secret has most likely been so well protected over the millennia that only a few centuries ago the new inheritors of the encoded manuscripts obviously did not get a chance to learn how to decode it. Who were the inheritors of the encoded manuscripts?
The Vatican and secret society perhaps?
Dan Brown has also suggested that there is some sort of link to these societies sharing a grand secret and an ancient Hebrew secret which he would target for his next book – Key of Solomon.
The Vatican has the largest sacred cross depiction of Constantine ever built. It is designed, just like the Basilica church as a cross to be viewed from the heavens. Ponder on this reasoning.
If it is to be viewed from the heavens, then one has to wonder what the original Vatican City layout looks like, when viewed from the heavens.
There is a great causeway, like the Egyptian causeways, facing east from the ‘sacred cross’ piazza, and it leads to a giant star shaped fortress.
(This is the Castel Sant Angelo Star fortress that Dan Brown included in ‘Angels and Demons’).
Why does the main part of Vatican City look like a giant key?
Is it the same “key” secret as the “Key” of Solomon and the “key” of Hiram of the Freemason epic? Is it the same key that the statue of St. Peter holds in his hand at the Vatican while he is pointing to the great star castle down the causeway at the Vatican? These exciting clues can be explored in great detail when walking from each obelisk site to the other. (For more on this story later click the prime Vatican image with the pope or the link at the end of the article).
A connection can now be identified between four themes where the stars of Orion seem to be represented as showing the way to a special star. It begins with the earlier animation at the beginning of this article that showed the first example of how Orion’s belt stars seem represented to align with the position of one important star out of a group of important stars, then it was followed with the Key of Solomon talisman. Now these will be compared with two more examples of this pattern.
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The breathtaking result above confirms a match with the two earliest examples of the Solomon talismans, as well as artefacts found in Lalibela (see cross in image above), compared to the Vatican layout plan. They all seem to hold the same secret.
Why does the Vatican causeway face east?
Does the sky match the ground on a special day?
Was the ancient solar worship ritual of Sol Invictus on the 25th of December replaced with celebration of the place of origin of the Christus?
All of these secrets have answers that can be well reasoned.
In Rome, all three sun-like stars positions seem to be represented in their right places with the correct orientation.
The Seven Hills of Rome were probably the reason why Rome was built where it is today, because it had a natural pattern match to the stars of the Pleiades.
Look closely at the Vatican re-enacted view of the Pope at his ceremony on Christmas eve. There is no mention so far if Dan Brown is going to include this material and we will just have to wait and see. The position of a third Sun-like star begins to emerge. Please note some ancient depictions have only one special star, some include a second and four examples of the most accurate of all the ancient star maps includes detail of all three sun-like stars. This pattern of three suns… Sun-like stars, seems to be the same triangular formation as seen on the dollar bill and on the Solomon Seal.
The extra detail of the third star now begins to make its mark and can be referenced further at the bottom of this article. Earlier on the solar trinity aspect of ancient sun worship was mentioned. In essence, there seems to be some remnant of the ancient ritual of “Sol Invictus” here. Here is a view close to what the Pope would have seen long before the modern buildings of Rome blocked his view. The ritual appears to interpret the old sun worship solar obelisks of ancient Egypt. A moment when an alignment occurrence with stars in the heavens as they are represented on the ground when looking down the causeway.
For more on this story and how the ground mirrors the sky click the image below or the Vatican link at the end of this article.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
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Interesting facts here: The causeway length from the “sacred cross” piazza (representative of Orion) is 3.3 stade in distance. (The St Peters piazza is one stade (Roman length measurement).
Does this measurement symbolise the sacred length in the heavens of 33 degrees between Orion and a special star?
The Egyptian
Senmut tomb
is explored in the
Masonic article
link. Part of its blazing star theme, where the Egyptian gods originate from near the bull’s leg constellation, is reproduced below. The theme is explored further there and how it fits in with the origin of the Pre-Christian Yule Tree.
They all seem to celebrate one thing and one thing only: A beam of light coming down from the star of origin of our heavenly human ancestors.
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Stonehenge matches the Solomon Key talisman in two different ways. No historian to date has proposed any matching design plan for Stonehenge. It presents one of the best star map cases.
It is probably the only monument on Earth that matches the prime Solomon key talisman.
Click the image above to get the full Stonehenge article.
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The Freemasons base their secret around what is referred to as the secret of Hiram Abif. This originates, perhaps from a time that is either from the King Solomon story itself, or if not, from one that mirrors the Solomon story.
The secret of Hiram Abif is probably synonymous with the once secret foundational first degree tracing board of the Freemasons as referenced at the Bradford University in the UK. (see ref in link below) Here is another interesting occurrence. There is also a Hiram Abif in the Old Testament and he was Solomon’s master mason. Is this just a coincidence?
Click the historically accurately reproduced tracing board image decoded by Wayne Herschel below to see the full interpretation. The image has been compiled from two source references. Wayne has been warned to mention here that this is HIS own interpretation only. This is because some traditional lodges of old ritual from all over the world have complained that the star patterns recognised by Wayne are just a coincidence. They are saying it is just old symbolism and an interpretation of general wisdom of the heavens, and mainly because the star Sirius for them is probably the blazing star.
The full article link follows and will show why Sirius does not fit as the blazing star solution. Sirius is not near the ecliptic, is not Sun-like, does not match the tracing board, does not match Biblical accounts of the sacred bull area, and more importantly does not match the Vatican, or more importantly the Washington DC layout that Dan Brown hinted was in his next book.
Compare the image below to the three sun-like stars near the Pleiades above with the Vatican pattern, Malik Shah, Lalibela, the Dendera disc and more in the linked article here and the Washington image that follows.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
Click the image below for the full article:
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In the image above, the Orion constellation is celebrated in two ways... firstly as secret knowledge as a "Key" on the 33 stepped ladder (representing 33 degrees of arc in the heavens) which Wayne deciphered as Solomon's "Key" ... it is Orion showing the way vertically heavenwards up the ladder/Yule Tree... it rises in the East which is an astronomical fact. Secondly, Orion is celebrated in ritual with the initiate... "three people in a row" (just like the Three Kings of The Christ) entering the Lodge with the pattern on the floor as shown.
Note also how the initiate is bound just as it is written in the Solomon Testament... it mentions that he 'binds' the constellations. Here the Initiate is bound and re-living the great secret knowledge perhaps without really knowing what the real secret is, as an initiate.
The Sun-like stars are shown in the astronomical image below, larger than life and in precise positions at very ancient epochs where the ancients have told us to celebrate them. Stars all move in position over long periods of time and this is exactly where they were once positioned when they were apparently revered as important. The Pleiades star cluster strangely has not changed that much in its pattern over 200 000 years.
In measuring the old positions on a computer star atlas we have identified a dating method, which is explained in the Masonic article link.
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The animation that follows depicts exactly in the sky how Orion shows the way to the Pleiades and its three important nearby Sun-like stars of the ‘gods’ of the ancients as they appear in their positions today.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
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To be more precise on the Freemason connection, here it is the very same star secret that George Washington most likely took with him to his grave. A secret that he ingeniously recorded in an encoded Masonic painting explaining the meaning of the layout of his new city that would be built and the positions of all the secret symbolic monuments - Washington DC.
There is a link to the painting and the full story at the bottom of this page or clicking the image below. Dan Brown has most likely also seen the obvious here, but will he be blocked from exposing all the truth or part of the truth? That is the question. We will simply have to wait and see.
The Freemasons have announced that they believe that to their knowledge, their society is not holding any earth shattering secrets. To make this very clear they have revealed all their historical records of ritual and symbolism to universities like the Bradford University in the UK.
It has all recently become a valuable part of American history. A lot of their valuable symbolism has also been made public in the block buster two part epic, National Treasure by Walt Disney. Dan Brown perhaps should be credited for creating especially the initial momentum that has encouraged this once secret society to be open with what many will soon see is priceless history.
The image below is of Washington DC in the early evening as it becomes “illuminated”. Note how the pentacle that Wayne Herschel proposes represents sacred geometry of the human form is represented at the top of the image. (see the link in reference list). Note how Arlington and Rosslyn when illuminated at night match the shape of the thigh of the bull (highlighted blue and white) and how the obelisk is in its rightful position and the Pentagon matches the exact counterpart monument ruins… found on Mars. (clink link at end of article).
Click the image below for the full Washington Freemason article following all the real clues in the two recent episodes of Walt Disney’s National Treasure.
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It is as if the design plan of the city acknowledges itself as the only modern celebration of the star secret. Perhaps as a means to attract a re-visitation, the return of our celestial ancestors – to land in the circular field next to the obelisk. (Celestial discs throughout history have been depicted as being round in shape). The message could be suggesting either to follow down the causeway to the crescent shaped headquarters of the world's most powerful decision makers or simply walk across the circular landing place highlighted in red to the domain of the world super power leader himself. (The garden at the Capitol is crescent shaped perhaps representing the world associated with the star obelisk. Another thought here is that the 33 degree viewing secret using the dividers (as explored earlier) is known by the leaders who meet at the Capitol since it is portrayed by the two roads highlighted in yellow, set up where viewing takes place at the Capitol. Further reasoning here is that the obelisk sits between the dividers arms representing the cosmic measurement (It is closer to 39 degrees here, most likely measuring the arc distance between the lowest positioned Orion's Belt star and the second most important Sun-like star).
Find out also how the pentagon has its exact shape match with the Mars anomaly as well as an exact position match. Both monuments also have large North pointers attached to their design like a giant arrow pointer.
The human “Da vinci” style Vitruvian man blue print code is represented in the map by the great pentacle (yellow road highlight at top of image). Note also that the small yellow dot above it is the Great Washington Masonic lodge. In 1848, the breaking of ground cornerstone of the Washington Monument obelisk was celebrated … on the 4th July.
The height of the obelisk is 333 cubits in height – here is another clue.
Could this be representative of the measurement skywards at 33 degrees. Just like the causeway of the Vatican is 3.3 stade, it seems designed to represent the same measurement too.
The alignment of the water causeway to the obelisk is about to reveal its ancient secret… the secret of the 4th of July
Seen below is the Washington Monument obelisk when viewing it from the Lincoln memorial.
Orion rises due east on only one day in the year at exactly the same time as the Sun.
It occurs at dawn on the 4th of July.
Here is the enlightening truth.
What is in the sky, is hidden and suddenly becomes invisible as the Sun rises. It celebrates in traditional Egyptian style...
The rebirth of the sacred cross with our Sun.
Only the trained initiate will know what is hidden in the sky also having seen the Pleiades rise before Sun-rise. This event is easily measured on computer star programs. This special day of the year was chosen for the biggest and most bloodshed battle of the Crusaders... they thought they would conquer just like Constantine in their last terrible war with their sacred cross being reborn so to speak. Dan Brown will no doubt see the obvious here.
However… there are other special viewing times at night where the rising of the stars matches the image below exactly but all the stars will be seen in the image (without the Sun).
There is a perfect time for night viewing of the star secret using laser pointers to “bind” the stars for the viewers to see (ideal with binoculars because of light ‘pollution’) as they rise above the obelisk when viewed from the Lincoln Memorial:
It occurs over the Christmas period the ancients celebrated before Christ on Dec 25th as Sol Invictus - on Winter solstice - starting on December the 21st, reaching perfect alignment as in the image below, due east, viewed along the water reflecting sky secret causeway on the evening of December 23rd a little after 6 pm and for a few nights visible close to this position.
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The Washington Monument obelisk has one more piece of evidence to offer. It has the precise Egyptian title for what it represents inside the monument itself in memory of George Washington’s illuminated knowledge:
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The idea that what is sacred on the ground is also representative of the heavens can be traced back to some famous religious paintings. Here in one of the most famous works by Bonaventura Salimbeni. The secret equilateral triangle shape represents the aura of the Father of The Christ. This painting is also thought to contain hidden geometry encrypted into it like his other 
Here is an important icon, a pentacle and its orbs carved in stone 300AD. It is important in decoding the encryption of the Solomon Key presented in an animation halfway down this web page. What do the orbs represent?
