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THE SPHINX UNLOCKS THE ORIGINS OF HUMANITY
July 2006: A new author in the field of archaeo-astronomy
has recently launched his book internationally, and believes he has
found the ultimate secret behind Egypt's enigmatic Sphinx.
Existing theories to date suggest that the side profile of the Sphinx
represents the stars of Leo. However they do not explain convincingly
why its architects would have chosen this constellation for its template.
Wayne Herschel, an explorer of ancient civilisations for the last
17 years, proposes an entirely new theory. In his book, 'The Hidden
Records', he sets out to prove that the Sphinx is the key to unlocking
the secret behind a grand unified '50 pyramid' star map.
In 1995 author R. Bauval suggested that the
three pyramids at Giza represented the three stars of Orion's 'belt'.
However because his theory did not find a way to incorporate the entire
field of pyramids, let alone the Sphinx, academics had difficulty
accepting it.
In 2003 Wayne Herschel published his cosmic interpretation of the
Sphinx which helped him interpret the pyramids in a completely new
way. He discovered that the angle at which the Sphinx intersects the
collective three Giza pyramids on the ground, is virtually identical
to the angle at which the brightest star of Leo, aligns with the collective
row of stars that form Orion's 'belt'. (See the image below).
Here are the critical clues in reasoning the theory. The Sphinx appears
to have its stare fixed on the rising stars each night (not just the
rising Sun). Then at a very unique moment in the night sky, the Sphinx
watches its mirror image of itself rising in a perfectly upright stance
as Leo.
It is here where the Sphinx is literally crying out:
"All the pyramids in Lower Egypt represent a ring of adjoining constellations
around the Earth, and the secret of the star map begins here at my
feet with Leo."
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But there is more to the secret of the Sphinx
merely telling us that all the pyramids reproduce a string of constellations.
It is also the key to deciphering the pyramid mystery itself. It is
showing the observer where to begin in cracking the mystery of the
star map, urging one to follow the three star alignment direction
of Orion's 'belt' as a 'cosmic signpost' to what seems to be the ultimate
star.
Herschel's idea that the whole pyramid field in Lower Egypt represents
stars was inspired by one of the oldest known prophecies. The mystic
Hermes Trismegistus. claimed:
"Egypt is an image of the heavens… the 'whole' cosmos dwells here.
"Herschel subsequently conducted an experiment to prove all the pyramids
in Lower Egypt represent stars. He overlaid a transparency of the
stars onto a map of the pyramids. The result was breathtaking. All
the brightest stars within the known constellations in one complete
revolution of the Milky Way had pyramid counterparts on the ground.
However, there were some important stars for which pyramids were apparently
missing. In Giza for example, Herschel found four potential, as yet
unrecognised pyramid ruins on an antique early map that would conclude
a previously incomplete Orion interpretation at Giza.
One finding would lead to another. Not only
were his new correlations 'mirror images', but the pyramids were virtually
divided into two separate layout scales on each side of the area of
Abusir, thus providing another clue. It seems the Solar Temple obelisk
was intentionally placed exactly at the epicentre of the pyramid field.
What could this mean?
The giant obelisk was most likely the only ever gold capped monument.
Perhaps to highlight that it was more important than any other. At
last the meaning of the star map becomes clear.
Do we have the proverbial 'x' that marks the spot?
Does it provide the reason that would have prompted the ancients to
design their star map using giant structures in the first place? One
thing is certain, the star seems to be of paramount importance as
the place in the heavens that the three Orion 'belt' stars align with.
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Astronomers can confirm that the Solar
Temple obelisk is the only monument in the entire pyramid field
to emulate a 'Sun-like' star (Ref HD 283271 'G' spectrum) and
it is relatively nearby. The correlation only occurred at its
most precise position 17 250 years ago, perhaps documenting
the dawning of humanity. All the other pyramids match bright
stars that are nothing like our Sun. Herschel suggests the 'Sun'
Temple was named after a 'Sun'-like star and has nothing to
do with our Sun at all. |
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Only half of the star map is shown here.
The author is convinced that the reason for the pyramid star map was
to isolate the 'star of the gods'. He believes it presents a whole
new theory of who we are and where we come from.
To add fuel to the fire, Herschel believes that he has found evidence
of a repeating geometric blueprint of the human form within other
ancient pyramid and megalithic star map representations found across
the globe.
The geometric blueprint is unique only to the human form and is identical
to the original geometric man codex documented by a Roman engineer
and writer, Marcus Vitruvius, who lived 25 years before the birth
of Christ.
Leonardo Da Vinci has acceded to fame for his
Vitruvian man, however few realise he reproduced it from an ancient
manuscript. Da Vinci did not show the raised arms as you see here,
but chose to reposition the arms where the square touches the circle.
He may have chosen to depict his version like he did to avoid the
same fate that the German scholar, Agrippa (who lived at the same
time as Da Vinci), faced for duplicating Vitruvius' work as seen in
the image above. Agrippa died a horrific death. He was burned at the
stake.
Without digressing too much, it is worth considering a few very important
'what if' scenarios.
One would naturally expect that if the star maps are true then why
doesn't the Christ story mention it?
If what was encapsulated in the representation of the human form by
Agrippa and Da Vinci had relevance to these star maps, why did Christ
make no mention of this? It is indeed a very sensitive question and
is currently open to debate on the author's website. There are many
sources of early translations of the gospels that include references
to the star associated with Christ's birth and other stars, such as
Orion and the Pleiades. There is also a lot more being debated than
this.
For starters, the meaning of 'Sang-real' has been rumoured to mean
'sacred lineage'.
What if the Holy Grail is real and contains an inscribed record of
who we are and where we come? For arguments sake let us assume that
it does. What if the ultimate secret was given to Judas by Christ
(as the Judas codex seems to suggest) on a beautiful metal plate that
was uniquely inscribed? (Wayne Herschel has a strong feeling that
in Renaissance art this metal plate is shown symbolically behind Christ's
head). If one refers to the recently discovered Judas gospel, one
could even conclude that there is a chance Judas may have been captured
by the Roman authorities with this artefact that was to become known
as the grail in his possession. An artefact that had inscribed on
it detail of humanity's lineage.
If this hypothetical scenario does indeed prove to be true, then one
would have to ask whether the Roman authorities murdered him to cover
up the existence of this amazing artefact, and more specifically its
contents.
Perhaps we are approaching a new renaissance age in which humankind
will begin to question its true origins? It seems likely now that
Vitruvius was not the first person to portray the human form in this
unique way.
In his book, 'The Hidden Records', Herschel goes to great lengths
in detailing the snowball effect of his story. He claims confidently
that the geometry of the human blueprint is a code that fits accurately
into the layout at Giza, as well as that of Stonehenge, and last but
not least in the layout of the most controversial place of all. In
the layout of what are perceived to be pyramids in an area researchers
call 'Cydonia'.
In later years it appears this geometry of the 'human code' was also
encrypted in the paintings of Leonardo Da Vinci and of his contemporary,
Nicolas Poussin.
It may sound completely fabricated and fictional having such a vast
collection of coincidences here, but in light of the importance of
the claims, the author has made his fundamental research freely available
for all to see. The human codex research, Renaissance paintings and
star map images are now available at thehiddenrecords.com website.
In summary, the author believes that by encrypting the human form
in ancient pyramid star maps in this unique way (a code that later
made its reappearance in the paintings of the Renaissance era) the
ancients appear to show us that the human lineage is 'divine' so to
speak and from above.
Coincidently the recent Judas gospel codex discovery makes another
earth shattering claim, the significance of which seems to have eluded
most observers. Christ beckons Judas to look at the night sky and
says to him:
"Follow the star above… it is also your star".
If the star maps are truly genuine, surely someone with a mission
as unique as that of Christ would have wanted to pass on to humanity
this extraordinary piece of knowledge, even if it was not ready for
his time. He probably would want it to be revealed in the future at
a time when it was safer to debate such a 'provocative' version of
humankind's genesis.
In time, the star maps and human code theory may well challenge the
mystery of the 'missing link', which academics on evolution are still
grappling with to this very day. Perhaps human beings evolved elsewhere
in our vast universe, replacing Neanderthal after arriving here on
Earth.
The author has taken his Egyptian star chart template and has tested
it on Stonehenge in the UK, Angkor in Cambodia, Tikal in Guatemala
and on a nearby planet rumoured to have pyramid ruins. The results
delineated on the internet and in great detail in his book speak for
themselves.
So… at the end of the day, what does all this new material offer humanity?
A clear message is decipherable in three of the most conclusive cases
of the star maps. They all appear to display the unique human blueprint
geometry code. A pictographic story can be interpreted in relation
to the star pattern.
Herschel believes its meaning is paramount in uniting all of humanity
as one if the star map 'message' is true. Once we step back and review
the original sources of great teachings from those that came from
above, the truth emerges. It speaks clearly of the place of Creation
of the universe, which has been told to humanity in many different
lands, and sadly it has 'evolved' in every case, into very disparate
interpretations that we call 'religion'.
The original sources of sacred texts must be given priority for true
meaning. It is here where we have the chance of uniting humanity in
one truth and understanding of a gentle Creator of the universe who
has given us the gift of life. Our confusion about what we believe
is fast manifesting itself in an ugly religious war that is playing
out right now. Is it a coincidence that for the first time ever missiles
are landing at a historical site near the northern boarder of Israel
known as the valley of Meggiddo? It is here that prophecy has written
where we will fight our last war.
If there is just a hint of truth in Wayne Herschel's collection of
ancient star maps and his theory on the human blueprint, it should
be reason enough for scholars to test it.
And if there is one crucial question that still remains unanswered
it has to be: Who is the cosmic message intended for?
Why on earth is the grand secret represented with such massive constructions
and pointing skywards?
Why can it only be deciphered completely, when it is viewed from a
satellite?
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