UPDATE APRIL 2015 - The above image shows my latest discovery of a monolithic tomb constructed in the shape of the 'Leg of the Bull'. It was presumably built by a high-ranking occupant of an ancient Egyptian celestial ship that met with disaster in Australia over 4500 years ago!
Read on and see how we trace this discovery sourced from Egypt as a star map, how it reveals secret locations and how the Gosford Glyphs texts help identify and lead us to discover the site of what might be these ancient Egyptian's original crashed 'celestial ship'.
I began my work in this Australia saga realising very quickly from the reaction taken by the local well known researchers in the area that there was something of great importance here that is not of this world waiting to be solved and I was clearly notified that I was not welcome. The tactics unleashed you can see for yourself at the end of this article were completly unexpected. Were they part of a cover up conspiracy under conditions of elite owned publishing orders or were they just trying to keep exclusivity of the unsolved mystery because they were local folks? You can draw your own conclusions but please look at the references posted there.
Australia is the continental home of the native Aboriginal people who according to written history have no megalithic grand beginnings like many other ancient civilisations. Yes it might appear devoid initially as such to many but there are clues here that Australia may well have some unrecognised forgotten megalithic traces that will be discussed here.
The ancients here without doubt also experienced the exact same global re-visitation event during its evolution by the very same star ancestors that seem to have returned and taught the other megalithic cultures around the world. Teachings of the exact same sacred knowledge of their star visitor lineage origins.
Since this ancient culture has the least megalithic history to measure and compare it with other historical global sites, it is quite logical and clear that Australia cannot possibly claim the title: "First Earth colonisation site." Gobekli Tepe in Turkey is leading the title for now
closely followed by all the pyramid civilisations. My opinion here is that in time we will see that all ancient cultures had the same time frame genesis arrival as a very measurable 'alien' human genus. Also that all these arrived cultures i.e. an 'alien' human genus that settled on earth, were later visited by their advanced ancestors after the great 'Biblical' flood that would unwittingly reduce all humanity back to the Stone Age. These visitations presumably occurred simultaneously for all the cultures within similar time frames. Some chose to rebuild the monuments in grand megalithic splendor and some chose to continue living as hunters, gatherers and farmers.
There is one site in Australia to be explored here that will elevate the star visitor theory to match the same Pleiadian history I have found in other ancient sites around the world. It is no mystery since the first historians spoke to the people here and all the tribes had the very same answer to who their ancestors were. Documented substantially in publications since the 1920's they all point to the sky and say they are children of star visitor ancestors from the Pleiades.
There have been many attempts to try and discredit the ancient Egyptian hieroglyphs called "The Gosford Glyphs" found carved into large rock faces of Hawkesbury Sandstone in the popular public Brisbane Water National Park and walk area at Kariong near Gosford in New South Wales, 37km north of Sydney in Australia.
Egyptian ‘Gosford glyphs’ rock:
It is a public park that welcomes visitors and visiting times and conservation rules are all covered here... click the image:
The Egyptian Glyphs at Gosford in the Brisbane Water National Park in the Kariong area are a big attraction here despite the barrage of academic insistence that the symbols cannot possibly be real or ancient. Some extreme reasoning has been published by many scholars to discredit this ancient site. Probably in line with global academia protocols based an 'official denial' due to the following points that are deemed unacceptable:
Firstly, because in this context it is about a celestial ship riding a cosmic serpent from the heavens and this claim cannot be taken seriously. Secondly, even if it were a normal wooden ship it is considered farfetched that ancient Egyptian mariners may have sailed so far. Records of history have their ships more suited to the Nile than the oceans. Lastly, to accept that it is about the son of Khufu means it needs to be around 5000 years old and this is absolutely shocking to say the least. Why? Such a claim would be a huge threat and would completely rewrite the accepted slow progression model of human development.
When the Gosford Glyphs site was first made public in 1975 it had already shown evidence that it was no modern hoax. The 'Gosford Glyphs' were covered in rock lichens. Rock lichens are a moss-like growth that literally takes many decades to form and even as long as 100 years on newly exposed rocks to reach the growth appearance as recalled by those who saw the original site in 1975. ref
Look at the striking detail below, a definite cross symbol that I found represents Orion.
Also at first glance, above it appears what seems like the leg of the bull symbol ref.
Although the latter seems a little too straight to be the correct symbol for the Pleiades, it does have what looks like a hoof shape at the bottom of the symbol. In fact it is far more hoof-like than any other symbol it would better represent.
The style of the leg of the bull symbol found in Egypt for the Pleiades is more often presented with a bent knee effect. But you will see later with Star Map Jerusalem the leg is shown more straightened out, just like the case for Lalibela. Now in context with my belief the cross of the churches being Orion
the position of the leg orientation and that of the cross on the stone wall is a celestial alignment match.
The leg of the bull symbol aligns through its hoof with the symbol having a line with the 'mound'. Here is where it gets interesting. Egypt has a Creation myth of Zep Tepi which means "The First Time". All life starting on a primordial mound. Is it possible this clue here is the pictographic value symbol for Zep Tepi. But this is not the only example of the Pleiades poised above the primordial mound of Creation. This primordial mound is also found on an old Chokwe African tribe wooden tablet of the first time of the ancestors ref.
Local resident near the Glyph site Guy Carter, nick named PleiadianGuy on youtube, has film footage of the site here and tomb entrance and calls for protection of the park as this land is now apparently up for sale and the whole rock monument under risk of being demolished!
There is a portion of the rock face that proposes another monumental pictographic representation probability that cannot go unmentioned. It is visible in the video above at the 2.20 time marker. Since this script is so ancient the pictographic values of many unseen symbols still remain unsolved and yet to be decoded. I offer a little more to this combination here that shouts out the mythology of Zep Tepi. ref.
The 'first time' in Egypt legend of a cosmic egg landing with Ra inside it that came from the heavens as I cover in my article here. ref.
In the image below the symbolism is quite compelling. The staff with hand and thumb pointing forward suggests firstly the authoritative gesture to establish the first time of Zep Tepi. Mainly because there is the Leg of the Bull symbol aligned correctly touching the staff that aligns vertically as above so below. All the is missing in the symbolism is the landing of the cosmic Egg and it seems to be placed correctly too. Look closely at the 'egg' symbol. It has some very faint concentric circles within it and there are many circles so its not an eye symbol.
Some recent research by two Egyptian scholars in 2013 occurred to see for themselves if the Gosford Glyphs are for real. Mohamed Ibrahim and Yousef Awyan spent almost a year going through literally every symbol on the rocks and their conclusions were this is no hoax. In fact they noticed it was pieced together by two scribes with two styles as well.
But the breaking finding was the part where they recognise a terrible storm occurred during the arrival of the Egyptian occupants of a ship when the unthinkable happened.
In the image below they find the line of the accident just after the line explaining the terrible storm. It speaks of the ship flipping over and ... "falling".
Before going into the analysis let me say right now with great respect that the scholars are still satisfied this utterance speaks of an ocean going ship and the code of ethics for scholars is to keep to tradition of how many scholars before them have viewed Egyptology. I want to take the angle more verbatim and express the detail suggesting it might be a little more keeping to solid evidence in the detail itself.
Yes this is the defining line. The Ship glyph is shown upside down expectedly and presented with a star. The scholars suggested the ship with a star is of heavenly theme and thus the word worship added by them. But in context it might not read that well. I suggest here it is verbatim a heavenly ship. This isidentical to the more common texts of a celestial ship seen in their cosmic texts well known in many of the oldest records found everywhere in Egypt.
I have added the extra glyph detail of a mystery symbol which is not recognised as a normal Egyptian glyph but one previous researchers have suggested is a celestial ship. Here I saw the matching lines with dots beneath it which reasons further the chances of a connection. I noticed also the upside down ship glyph in the line of text also has more. It has a bow with lotus flower effect. For me this speaks volumes. As seen in the opening portion of this Australian story the lotus flower bow defines it is a ship... "of the sky". Then to have it presented with star suggests very strongly a heavenly ship rather than an ocean ship.
But there is more here and I sense the recent scholars choice of interpretation shows something they were keen to show but not quite ethical to discuss. That is the utterance of the ship that "fell". This image below is a reconstructed extract from the 20 minute position in the video by the scholars ref
I noticed the scholars wrote the falling aspect in bold...
The lichens had obscured a lot of the stunning detail of all the carved areas so much that it was still argued that with so little visible to decipher, experts are obviously also not interested in the photographs either.
The ancient glyphs claim was ridiculed amongst many researchers from Sydney, and it led to the action by those who found them to see it more clearly. To clean the rock surface completely. Who would believe they were real anyway to consider archaeology procedures because the archaeology folks laughed at it. The cleaning technique chosen was some sort of acid wash!
It exposed the extreme importance of the text. It was not only very ornate unlike graffiti, but now the experts were interested to prove it was still a hoax. They saw the photographs and no doubt if they ever would tell the truth, they must have been completely blown away.
There was a real Egyptian scribe's story written here and even a version considered closer to the first Egyptian dialect and early symbols. But some of the content of the text contained the very reason this story has had a barrage of hoax attacks with some scholars writing essay upon essay to try and make it look fake.
The text not only had references of the ship accident, it used a pictoglyph over and over in correct context confirming that it was no ordinary historical water vessel. The symbols was a variation on the Egyptian symbol for Arrive... to come forth but with lines added beneath it and dots added.
It seems used in context as a celestial ship that is often found in Egyptian records but depicted in a typical disc shape petroglyph as seen in the UFO papyrus claim I made in a CNNiReport with Video content there proving it was a UFO.
There is a Sumerian Scroll Seal that depicts a disc connecting to many Suns... this solves the meaning of the Australian symbol here!
This is an identical depiction and what this means connecting to many suns as destinations in the Sumerian breakthrough has a lot to say about the disc which flies like in Egypt and this Egyptian theme here.
The science of dating rock surfaces with lichens is a big part of archaeology but in this case here it seems avoided with all kinds of excuses made my academia. Mainly because of the insistence it's a hoax.
Here is a bit on the science and the forensic background how some lichens under a microscope can be dated as far back as 10000 years! ref
To attract experts to do tests here might be a little easier now if the lichen residues age only needs to be proved older than 100 years!
Lets reason how this is possible. Egyptian hieroglyphs were first very basically understood in 1822 by Champollion decoding just the basics on the Rosetta Stone
and it only became a university level subject studied by expert Egyptologists long after he died. The perfection of the language took at least another sixty years of study to reach a standard where translated texts could be published. Only as recent as the late 1890s, more complete and comprehensive level of translations were possible. There were also only a few who were able to read hieroglyphs and they were not the people to waste time on a hoax. Since the Gosford glyphs are of a comprehensive quality it would need a very qualified expert to have carved them.
Lets ignore the outrageous belief by scholars that an expert Egyptologist would create a hoax in the middle of a forest in the first place and for what motives one would have to spend months in tough awkward conditions needing ladders carving such an elaborate story.
Lets not forget there are also potential real tombs here matching as the text claimed and a star map platform that will be compared to the full story as evidence.
UPDATE: A local biologist and lichen expert was interested in doing some lichen tests. It requires a micro sample of biological lichen spores lifted off the carved areas on the rocks, in some cases without touching the rock itself. The scientist was ready to go there to do tests and I passed on a message that local researchers insisted they need to first spiritually evaluate anyone other than their team to see if they are allowed to go in.
The scientist said this Australian nature reserve site is officially a public open visit site and the people concerned are not in control and are mistaken thinking they are in control.
Further results will be published here later as a conclusive result needs to be reached thus possibly meaning more tests to confirm there is no errors.
The lichens in the image below shows the bird symbol clearly has a wide patch of a particular lichen that some biologists say shout out they are over 100 years old because of the patch size alone. The circumpunct, once a big deal to those who read Dan Brown's Lost symbol (who never identified the real secret of the symbol in his book) is here. it's better known as the Ra symbol or Sol symbol that defines the star type as Sun type. For the Sun star in question here it is often shown with seven rays of light when it definitely is not our Sun. The symbolism most likely speaking of its position in the sky near a cluster of seven stars.
I have found the seven rays of light to be global for the star deity themes from the First degree Freemason star map
to the Dogon Tribe petroglyph
and as general knowledge the 'god' Helios
and Lady Liberty.
A UFO crash record... pictograms that look like UFO's? these have been previous extreme claims made by a collaborator to this research and they might not be so far fetched. Lets see if there are other means to claim such a theory from a different angle.
I have spent some time on the original source of text that is on line on a page presented by a dedicated to protocols academic trying to insist it's a hoax because 'it is just not possible to be real' attitude, although he admits it is of a 4500 year old early Egyptian style.
I discussed my alterations with experts before pasting it below and the revelations it offers when taken verbatim is simply breathtaking and out of this world. A story slowly formed and after a little study of the geography here the text had a few minor updates before it could read consistently. This occurs also when one simply takes it verbatim and compared to the texts that are written of the star 'gods' and celestial ships that ride cosmic serpents in Egypt.
Here is my translation that only differs with just a hand full of words updated but it rewrites the story completely. It records an emotional story of advanced beings in a harsh environment struggling for survival. I present this admittedly 'dramatised' interpretation as a story possibility first in context with the surrounding measurable environment, then you the reader test the translated text that follows for yourselves and see if you agree or disagree.
The records on these Gosford rocks reveal an amazing story fit for a Hollywood movie.
I recount the story as follows:
The glyphs seem to have been written 5000 years ago and begin with the announcing of a journey from the heavens that went seriously wrong. A group of star travellers were on board a celestial ship and they were people who venerate the greatness of one they called the golden haired Ra deity.
The narrator of this story who carved the Gosford Glyphs is NEFER-DJESEB son of Khufu!
This prince claims he is actually son of one of the greatest pyramid builders of the beginning of the empire of Egypt! He was assigned to be present with a group of star traveller visitors who sailed down from the heavens with a celestial ship through a cosmic serpent wormhole.
The star gate wormhole seems to have opened far too low to the ground somewhere over the outback dry area East of the Gosford site. It was not supposed to occur like this. They came in too low and obviously too fast and crashed.
The crash injured one they called SUTI and killed one very dear to the narrator who will be later prepared for a royal burial. It seems the Australian tribes of the outback take a liking to one injured called SUTI. They pledge loyalty to help SUTI and the survivors stay in the Outback for some time.
The cosmic serpent wormhole opened months later with a rescue party but sadly only able to take on board just a few important ranking people and SUTI and the prince and perhaps a few others were left behind... abandoned.
The red dry land and insects and Sun heat literally burned the skin off their backs. The visitors here were possibly people of fair complexion and they would need to try and travel to a more gentle part of Australia with more trees and cooler climate if they were not rescued. It could have been more than a year of waiting for help before they gave up hope waiting. By this time the visitors no doubt became quite close to the tribal people that helped them survive.
The people of the Outback were spoken of dearly and respectfully since these people seemed to honour all living creatures great and small, even the pesky bugs. It appears the survivors decided they would wait a few more months in the Outback for winter to pass to begin a long trek East in Spring to where the locals would know where the greener lands are located near the ocean.
The prince wrote his testimony: He said after great irritation from insects and the intense desert heat it took 2 years before they found the Coast. There was a time the Outback people worried the prince and although he demanded he keep their daggers, SUTI was the one who was important and they pledged loyalty to SUTI.
The group of star travelling people arrived with their local friends at the East coast of Australia at Gosford. The prince also records his loyalty as a star traveller with honour to some sort of an alliance with the Egyptian kingdom on Earth and he probably teaches the locals some of his star knowledge. The place in the heavens is also of THEIR star visitor ancestor origins too so an elaborate star map carving project begins on the flat rock platform there. All this possibly occurring here in Gosford close to 3200BC!
They struggled with the insects who the local people honour as an important part of God created nature, people who respect all life including the nasty insects.
They make a burial tomb for the one called SUTI once they reached their destination and say a few words in a funeral ritual.
The son of Khufu the pyramid builder writes of his loyalty to the Egyptian king Menes kingdom who founded the pyramid builder kingdom seen in just one hieroglyph below. It was an advanced beginning of the pyramid era in Egypt on Earth he had knowledge of. Is the symbol below just proof of the Menes kingdom and is it quite possibly an originated symbol from the leg of the bull symbol pictoglyph?
The star visitors obviously merged with the local people who travelled with the survivors and they might have lived many more years there before being rescued. They probably also fathered children adding to the local gene lines. Blond hair as per the star visitor reference is fitting with the pyramid builders of the earliest dynasties close to the Menes period
and the tribe seemed to have an unexplained blond hair gene that pre-dates the first European settlers
The great secrets of astronomy might have been taught to the local people by these Pleiades 'star people' and how Orion's Belt shows the way to a place in the sky where their ancestors come from too. The people of the tribe might have been inspired to carve some of their own historical records of what they learned. They appear to have carved an Orion man holding our Sun in one hand and the places of the ancestors in the other hand. They call him Bulgandry, perhaps he is the one with unusually straight and long blowing golden hair.
Recently I was sure the depiction of the belt of Orion here was shown with a comet. But the mystery has been solved. It is a little more simple. Yolngu Tradition has Orions belt also depicted as a pan with handle
If the records here are of a celestial ship crash were they ever rescued? He was after all son of Khufu so that answer should be a resounding yes. But it is also backed up by the discovery that the tombs in Gosford were all empty. They would no doubt have taken the body of the dead back home.
Watch this space as the researchers studying this case have partly managed to enter one of the tombs. See the video below for the footage.
Here is the heiroglyph text first translated by R.Johnson and updated by more recent experts comparing to the book of the dead texts, especially the updated interaction with the local people. The source of translation is from an academic who desperately tried to prove it was not ancient:
"THUS SPEAKETH HIS HIGHNESS
THE PRINCE FROM THIS WRETCHED PLACE
WITHIN THIS (RED) LAND, ........................(outback)
TRANSPORTED FROM THE HEAVENS
BY CELESTIAL SHIP"........................(see Menes image)
"THIS WRITING HERE (AS RECORD) ............(updated)
FOR THE MENES CROWN LOWER EGYPT, ...(updated)
ACCORDING TO GOD’S WORDS.
THE INDIGENOUS PEOPLE .........................(updated)
CALL OUT FROM THIS PLACE
IN THIS STRANGE LAND, FOR SUTI.
I, NEFER-DJESEB, SON OF THE KING KHUFU,
THE KING OF UPPER AND LOWER EGYPT,
BELOVED OF “PTAH” HAVE TRANSPORTED “SUTI.”
“I NEFER-TI-RU AM KIND AND BENEVOLENT,
A FOLLOWER OF THE GOLDEN-HAIRED “RA-HERU.”
“TWO YEARS THAT I MADE WAY EASTWARDS, ........(updated)
I NEFER TI-RU PUT UP STRONG FRONT,
PRAYING, JOYFUL, SMITING INSECTS.
HIS HIGHNESS, A SERVANT OF GOD,"
"THEY SAY GOD BRINGS THE INSECTS,
THUS THINE OWN INDIGENOUS PEOPLE PROTECT.”
"THE COSMIC SERPENT OPENED A SECOND TIME, (updated)
ALL THOSE OF THE DIVINE LORD OF KHUFU,
THE LORD OF THE TWO ADZES,
MIGHTY ONE OF LOWER EGYPT GO."
"NOT ALL GO BACK.
WE ARE MARCHING FORWARD,
WE DO NOT LOOK BACK."
"WE DAMAGED THE SHIP AT A LOW PASS ...(updated)
OUR SHIP WENT DOWN ..................................(updated)
THE COSMIC SERPENT ERROR
CAUSED THE DEATH OF ONE.........................(updated)
WE USED HALF A SURVIVAL BOX,
AND PRAYED TO THE HIDDEN ONE,
FOR HE WAS STRUCK TWICE.” ................(two injuries)
"A HARD ROAD, WE ALL WEPT OVER THE BODY,
KEEPING TO THAT, WHICH IS ALLOWED."
“SEATED BY THE SIDE WAY
WITH CONCERN AND DEEP LOVE
BY THE INDIGENOUS PEOPLE,"
"PLANTS WILTING, LAND DYING,
IS THIS MY LOT FROM THE MOST HIGH GOD,
OF THE SACRED MER.
THE SUN POURS DOWN ON MY BACK,
O! KHEPERA, MOST HIGH,
THIS IS NOT AS THE ORACLE SAID".
"MY OBELISK IS OVERTURNED, BUT NOT BROKEN.
THE BANDAGED ONE IS CONFINED,
HERE IN THE RED EARTH REGION.”
"THEN OF TIME OF SPRING,
WE WALLED IN MOVING THE GREAT STONES
FORMING THE ENTRANCE TO THE SIDE CHAMBER". (fact visible)
"I COUNTED AND IMPOUNDED THE DAGGERS
OF THE INDIGENOUS PEOPLE."
"THE THREE DOORS TO ETERNITY
ARE CONNECTED TO THE REAR END
BEHIND THE BULWARK OF THE TOMB."
"A NECKLACE PLACED BY HIS SIDE.
A ROYAL TOKEN, SIGNIFYING HEAVENS GIFT,
AS FROM THOU…! O HOLY SHINING ONES.
TAKEN ACROSS TO PRIVATE SANCTUARY OF THIS TOMB.
WITH THE SILVER DAGGER,"
"A ROYAL TOKEN OF THE GREAT MAKER.
SEPARATED FROM THE CITY OF “PENU”
IS THE ROYAL BODY FROM ALL OTHERS.
THAT REGAL PERSON THAT CAME."
"FROM THE HOUSE OF GOD,
NEFER-TI-RU, THE SON OF KHUFU,
KING OF UPPER AND LOWER EGYPT,
WHO DIED BEFORE, IS LAID TO REST."
"HE IS NOT OF THIS PLACE.
HIS HOME IS PENU.
RETURN HIM TO HIS TOWN
ONE THIRD OF THE FRUITS,
I MYSELF DIVIDED FOR THE BURIAL SERVICE."
"HOLD HIS SPIRIT WITH LOVE, O MOST HIGH.
WORMS IN THE BASKET OF FRUIT,
GOING INTO HIM, SHALL NOT BE."
"MAY HE HAVE LIFE, EVERLASTING.
AM I NOT TO GO BACK BESIDES THE WATERS
OF THE SACRED NILE, THEN CLASP HIM,
MY BROTHER’S SPIRIT TO THY SIDE,
O FATHER OF THE EARTH."
I saw firstly saw one important symbol here had a lot to confirm in the mystery. It was the symbol for king Menes and the earliest epoch of Egyptian history where the two kingdoms are seen as one.
The full context of the symbol on the stone wall is the green symbol at the centre of the image below.
Some traditional views by the Elders of this area pass down by oral tradition that it was an arrival of the people that was written about who came from the Pleiades, and that was without knowing the Menes symbol meaning. That is pretty remarkable. `
I am convinced the symbol is more importantly the Menes kingdom of Egypt symbol which dates these glyphs around 3200 BC and the leg of the bull similarity denoting origin of the crown might be portrayed with partial appearance as a bull's leg just by chance.
The legend carried by the Wurundjeri people of south-eastern Australia have the Pleiades represented by the seven Karatgurk sisters. Seven Earth dwelling women, matching the feminine theme 'coincidently' to ancient Greek myth. They were the first to possess the secret of fire and each one carried fire on the end of digging sticks. Coincidently again Hebrew tradition I am sure celebrates the seven celestial lights with flame with their Menorah.
Although the Seven sisters refused to share these fire sources with anybody, they were ultimately tricked into giving up their secret by a Crow, who then brought fire to mankind. After this, the Karatgurk sisters were swept into the night sky. Their glowing fire sticks became the bright stars of the Pleiades cluster.
UPDATE 20 APRIL 2015: I was looking at the Gosford Glyph site from the air using the Google Earth satellite image you see below and in my usual instinct of following the history of "As Above So Below", was trying to see what the rock shape looked like when viewed from above.
Was it a monolithic position star map? What shape should it be if it is intentionally a created monument like many others I had discovered around the world designed to send a message skywards?
I had just finished preparation of two other major new discoveries of Star Map Russia
and Star Map Ukraine
realising the leg of the bull symbol portrayal from the sky was now more common than anything else to date.
If this was an Egyptian Khufu era site then it too would be of the early period where the bull's leg as Pleiades would be important. See the Egyptian leg of the bull story here if you do not know its history: ref .
I found myself staring at the rock detail and it was only after some time that I realised some detail of a bull's hoof might be right here in front of my eyes.
If this was true then yes... the main glyphs part would form the thigh part of the leg.
Then my mind shifted gear... if this was a real 45 long megalithic leg monument of Egyptian theme then it must have its other features to complete it as a match to all the other sites I had found to date around the world.
I contacted my Gosford resident research team and all they had to do was go in and confirm up close under the trees if the site had exactly what I hoped were for real. The mouse over image here is the first basic general rendering reconstruction attempt of the highest standing rock features hidden by the trees.
This image will update as more and more topographical data and up close images are processed since this shape is comprised of a lot more rocks that are carefully positioned to create this shape.
I moved to the Sol 1 position and saw what looked like a pointed rock resembling an Egyptian arm... what were the odds this was just a tree or nothing but here was a shape hole in the trees that was aligned to the hoof, ie positioned perfectly where I was looking. There should be a third marker anomaly to explore to the side of the Leg postion to suit Sol 3... and I saw the unthinkable right infront of my eyes.
It looked like an Egyptian goddess face of Hathor staring back at me. I couldnt believe my eyes! Mouse over the image above to see the recomposition of what is under the trees and what two of the star markers looked like.
The Gosford Glyphs rocks are a stone structured bull's leg shaped monument built as a Tomb for a dead Egyptian man called Suti and it is a match with what I can now prove is also the same secret many ancient sites around the world. Mouse over the image below to see the star correlation tradition of ancient Egypt covered in star map Egypt ref .
Note how the star correlation theory is put to test here and how the most important position of a sun star called Sol 1 Primary in all the other studies so far has something identified on the ground. There is also a correlation for Sol 3 position with what looks like and Egyptian face remains after over 4500 years of errosion slightly visible.
Watch this space for the big developments in the correlations and what is really there.
The leg of the bull symbol is very critical as the most sacred symbol of the earliest epoch of Egypt. I have a full introductory article on it here... ref but its use as far as a massive geoglyph has its strongest case in the beginning of Jerusalem. The City of David uses this massive land geoglyph to tell its star map human origin story
The massive design like this shows veneration of a place to be reguarded of the highest importance marker either as a sacred city or tomb or a holy place just as Lalibela in Ethiopia celebrates...
This site is not a city or a temple. It leaves one thing and one thing only.
It must be a tomb.
A tomb is the only possible fit with Gosford and it is here we need to cross reference what the writings carved on its walls say.
Now we have explored the full translated texts transcript in this story here but I want to extract a few lines that speak of the secrets of Gosford. There a few lines that tell us what the rock site means:
WE WALLED IN MOVING THE GREAT STONES
FORMING THE ENTRANCE TO THE SIDE CHAMBER". (fact visible)
"THE THREE DOORS TO ETERNITY
ARE CONNECTED TO THE REAR END
BEHIND THE BULWARK OF THE TOMB."
"A NECKLACE PLACED BY HIS SIDE.
A ROYAL TOKEN, SIGNIFYING HEAVENS GIFT,
AS FROM THOU…! O HOLY SHINING ONES.
TAKEN ACROSS TO PRIVATE SANCTUARY OF THIS TOMB.
WITH THE SILVER DAGGER,"
There we have the entire description of the importance of firstly building a subterranean tomb and secondly building a rock structure of a chosen shape above it.
There is a tomb discovery claim here which was probably first made public by Ray Johnson in 1994
Directly under the megalithic leg of the bull structure lies exactly what you see here in the image below.
It it really a tomb? Compare to a common Egyptian tomb. It has the same appearance of roof lintel slab of stone meeting its sides in a breathtaking perfect fitting design which masons today just cant explain.
It has evidence of scoop mark slices on the rock to the left that is common in ancient Egypt where they seemed to be able to take large scoops of rock in literally one swipe.
But here is the 'money shot'. It has the typical Egyptian bulwark
ref which is intentional ruble or sand fill in to prevent grave robbers.
I am busy with authorities getting permission to send in a remote buggy with camera and a cable... watch this space.
Lets look at the text description of the crash and try get clues to where the crash site might be.
"THUS SPEAKETH HIS HIGHNESS
THE PRINCE FROM THIS WRETCHED PLACE
WITHIN THIS (RED) LAND, ........................(outback)
TRANSPORTED FROM THE HEAVENS
BY CELESTIAL SHIP"
"WE DAMAGED THE SHIP AT A LOW PASS
OUR SHIP WENT DOWN
“TWO YEARS THAT I MADE WAY EASTWARDS,
I recently found the text should read eastward as it spoke of travelling from the Western red lands. It is obviously also true since the crash was in the red lands full of horrible insects and heat and the Gosford site is in the East where they built the tomb.
Now... what should one be looking for if the lost Egyptian celestial ship travellers had an accident in the desert and would leave a marker for his people to trace this ship or where they would be going to.
Just as one would do in a plane crash in a desert and if desperate as nobody had come to the rescue. One would draw a large geoglyph somehow and use the word Help. But lets reason what sort of geoglyph we should be looking for.
It needs to be an Egyptian theme if our world was in early stages of colonisation by many races from where the ancient star maps have revealed. I needed to think of what was sacred over 4500 years ago matching the epoch and something that cryptically shows a message only Egyptian educated rescue parties might be able to decipher.
So the first thing to search for was an Egyptian geoglyph found in Australia outback. How hard would that be? What would I find?
I went into google image search and click enter.
There it was... it was real... there was a breakthrough.
Not just any geoglyph... it was one enshrouded in mystery and conspiracy.
It is known as 'Marree Man'
It was a little more visible around 1998 when discovered but someone went to the trouble of errasing it perhaps using effective wide brooms moving the surface darker sand over the lighter area thus covering it up. Not too long after it miraculously vanished the local press claimed it was obviously a recent hoax and you can see that just a little wind and weather sorted it out within little time. The thing is this place is of the weather like the Nasca geoglyph site which lasted for thousands of years.
Even Google Earth only had images of it after it was errased. I had to carefully trace back all the hardly visible detail and enhance it.
Where have I seen this birdman pointing with a rod? It was something I should know well. Mouse over the image to see it probably how it once appeared. A complete rod fits his strange position of his other hand. The rumours are the guy that found the geoglyph restored it slightly so might have left out the complete rod. We need to go back to the earliest epoch again and look at one of the most amazing celestial obsession tombs of all Egypt. The tomb of Senmut ref .
In the Senmut tomb it has the unique birdman pointing with his rod ... not a spear... that shows the way when he is personified as Orion and I proposed in 2002 he shows the way to the leg of the bull representing the Pleiades and its Sun star.
I realised in an instant there was a double message here with the Marree Man geoglyph. The geoglyph points in a direction they set off with guidance of the local Aboriginal people according to the Gosford Glyphs, the best direction to walk in a long trek to the greener and cooler land of the east coast.
The first message was exactly what we were looking for. A message to show where he crashed and where his lost ship resides. Look in the image above in the small clearing directly in line with his rod.
The second part of the message was like the Senmut tomb... they will build a monument in the shape of the leg of the bull where they would wait for rescue. Little did they know at that time that their injured prince would use it as a tomb. This was the most sacred and easy to decipher sacred knowledge of the time.
Here is a zoomed in image below and mouse over to see it up close. There is an anomaly in line with his rod. It is 60ft wide and has circular shape and a circular ring according to latest Google Earth images. A celestial ship just like I discovered previously on a papyrus record
that appears as a disc radiating light on the back of the Sphinx at Giza holds the evidence we are looking for the right type of 'ship'.
Now that it looks like there really is something still there today I realised that the Egyptian survivors might have been forgotten about and not rescued. If so they would live out their lives with the local people. Maybe even have children of their own carring the strange blond hair found in the earliest pyramid building era of mummies with this trait
. Is this how the Aboriginal people got the blond hair? I bet this is not the first time someone has wondered.
A real crashed ancient flying disc could be right there where Marree Man shows the way and never noticed before! We wait and watch and updates will be added here as we learn more developments.
Not too far from from the Egyptian glyphs area is the petroglyph that is apparently the most revered historically recognised relic of this area. It is said to be an entity they call Bulgandry who is an ancestor of the Pleiades by tradition and yes... it has been dated.
Historians propose the age virtually identical to the age of the Menes period of Egypt, over 5000 yrs ago.
There it is, the same age as the date of the glyphs style in Egypt AND the date given with the Menes symbol.
The knowledge of this petroglyph and its association with Orion showing the way to ancestors of the Pleiades is impossible to date who brought what forward or who decoded part of its meaning. It has more recently been brought forward by local oral tradition. However astronomer Ray Norris was probably the first to publish a paper on this petroglyph as an 'Orion Man' and identifying 'a comet' passing in front of it in 2007 however he could draw no further conclusions what it meant.
ref. Australian legend also calls Orion's belt... a pan with handle.
Bulgandry Deity Main petroglyph: 33°27'13.37"S 151°17'9.38"E
I noticed right away that this figure had the stance of the human form blueprint code
I found as a global (and on Mars) representation of the human origin secret as 'Orion man that shows the way', but this was no ordinary 'belt'
He stands with arms outstretched
He has legs apart
His male anatomy is drawn
He holds/narrates the stars of the gods position identical to many other depictions, especially the Orion Man as Gilgamesh of the Sumerians genesis story on the clay tablet in the Berlin Museum that I have now acquired copies of for sale to the public.
Bulgandry seems to encode a story and holds the Sun in one hand agreed by local tradition but something argued about in his other hand. Local people have believed he is a Pleiades associated deity and some suggested holds a boomerang in his other hand since it looks like a crescent.
Historians know this deity resonates with other historical sites of similar symbols and have stuck to it being our moon.
At a very low angle light one can see that it's a complete orb around the crescent and tradition follows more inclined to believe its a crescent heavenly object as you will see in the next depiction.
I realised there were also the deep pock marks next to it with at least 7 also seen as important by the historical societies because their notice board positioned by it includes the dots and the main big orb below it. The large orb below the moon interpretation is not logical and out of place. There is a third smaller orb to the side of it too.
I believe a very well presented star cluster of Pleiades is here fitting with local legend belief and the additional new possibility of a Solar Trinity combination that I have found in over 5 strong cases around the world.
A group of three Sun systems with a planet (depiction of crescent and orb) where the most important one is the larger one that if you look closely has three very faint lines radiating out the left side of it. The rays of light from the main sol is the same as the Dogon tribe records too...
... and the Freemason star map.
The star map encoding here of Orion like the Sumerian clay tablet suggests the obvious... it is Orion Man. Credit here to aboriginal mythology that believe Orion's belt in these images is shown as three ancestors in a canoe sailing towards the Pleiades!
Orion's Belt teaching clearly identified here shows you the way to find the world of the ancestors by following Orion's belt, with one very unusual 'belt' you may ask here. it's the same ancient star map as seen in the star map animation here common with 35 different cases explored on this website. Is it the canoe in the water legend, or is it something else?
While on the subject of flat rock areas of interest there are some stunning examples of the extreme geology here at play that even the experts find amazing. A geological flat rock thet appears like Inca blocks! But with valuable ancient petroglyphs of male and female depictions as a form of Bulgandry with blowing hair.
Natural 'INCA' rock & Petroglyphs: 33°26'26.77"S 151°18'9.92"E
The latest image to add here is from a friend who has done some great research and he has documented another Bulgandry 'genesis' theme of the first time in Australia perhaps showing Sun deities holding the sun of the ancestors near the Pleiades.
This Gosford area has repetitions of the celestial ancestor man called Ngalindi and ancestor woman called Walu with a crescent thought by tradition to be the moon.
I suggests like in all the Sumerian records it is a crescent world with its Sun. Note the Bulgandry entity with his unique hair shown as it is. Here is another image supplied by a friend who has researched this area in great detail. The site is of the Gosford Basin area and I believe it depicts similar to the previous main petroglyph three heavenly bodies in its 'genesis' theme. These I propose as the Solar Trinity of three Suns of the ancestors with world complete depiction here and the cup marks here might be man made although slight and a little chaotic suggesting Pleiades cluster to the left and Orion beneath the female. Our Sun perhaps the large arching curve above the male Bulgandry's head. So we have two cases now of three heavenly bodies... as proposed as a Solar Trinity.
The petroglyph detail to the left of the image appears to be the cosmic Emu bird ref that represents dark matter of the Milky Way which runs right next to the stars of Orion and Pleiades.
Click the image to get to the source images of all the Bulgandry examples and see the one that is also on a surface many thought was a real Inca similar block created rock platform, one that is apparently also created by nature.
The clearest and strongest evidence of star visitor ancestors from the Pleiades in Aboriginal history for now appears to begin here with this stunning example of ancient knowledge. Or will something far earlier or far more spectacular be concluded with the Gosford site? For now while the mystery is just unfolding at the Egyptian Glyph site this case here stands as the most conclusive earliest pictographic evidence matching the oral legend of Pleiades ancestors on the Australian continent.
The rock face is found in the Northern territories of Wardaman country and the Wardaman Aboriginal tribe history. Here is a well documented case narrating the same general Aboriginal legend, but in place of the visitors having the power over fire, the Wardaman tribes describe it almost identically to the Greek myth of Zeus.
The ancestors from the sky had power over lightening and there was a difference of agreement between two lightening ancestors and their dispute caused the loss of the rainbow cosmic Serpent!
From here forward I go much deeper in comparing both the oral tradition and this rock depiction with the other global clues I have uncovered.
It can be reasoned if one studies detail in the image.
Look closely at the star alignment emphasizing the following of the Pleiades orientation at an offset angle about 20 degrees clockwise off alignment to the 'x' that marks the spot. A Sun deity blazing face. The Primary Sun star position. The placing of a face in a Sun and personifying the sol star like this is common around the world. So much so followed in tradition that a we remember as children, our first pictures of our Sun are depicted 'personified'.
There appears to be more...
Another large Secondary sun star and a third tiny orb anomaly. Two primary blazing Sun deities with faces... surrounded by red and white rings, or, orbs in front of each other. If orbs, then these could denote Sun and planets or more simply a wormhole tunnel to them. Following my 2002 theory cosmic serpents are wormholes, now something many researchers concur, look how the 'extra' two serpents (matching the narration of rainbow serpents) connect to the bright two Suns and to a third anomaly. A third Sun fitting again a global trend of three Suns as a Solar Trinity if one accepts the small orb is a third sun star
But the best part is here, just like in the global themes it needs human form designating it place of human origins. The two Lightening ancestors, one white and one dark, perhaps portrayed as good vrs evil are placed next to the 'x' Sun that marks the spot. In typical global symbolism again the human form has arms outstretched and legs apart. This is a crucial human genesis reference compared here:
In summary I suggest: Pleiades aligns as a direction way shower to the place of the Primary Star of the ancestors which connects to two others with wormhole serpents... where the two lightening ancestors of good and evil (like at Angkor) competing in front of their star gate.
UPDATE OCT 2014:
An ancient petroglyph site positioned somewhere in the area known as the Arnhem lands is about to make its mark in the genre of the ancient astronaut hypothesis. It was recently released on Al Jazeera TV news and the video coverage is shown below.
It depicts an amazing lost knowledge that I am trying to revive. A lost knowledge of our ancient ancestors that left behind records that became hidden by monarchy systems showing maps of the place of our ancestors. The petroglyphs are not for public access and one needs a helicopter to reach them.
This is the amazing piece of the star map hypothesis right here of grand beginnings where I claim the ancients never lied about being visited by their ancestor linked star visitors. People who sailed down along cosmic wormholes that looked like a large serpent. They arrived in disc ships and showed people all over the Earth where they come from, teaching us we are tied to the same origins as them.
Two deity ancestor beings clad in what ancient astronaut theorists could explain away as body suits with zip up opening fronts and an elongated bubble glass helmet covering all face detail. The traditional interpretation by elders is they are ancestors sailing down from the Pleiades area. This will be discussed at the end of the article.
The star map detail of three orbs in a row vertically is a sacred depiction that I recognise in the Senmut Tomb in Egypt as well. As in Egypt, the orientation at which the rising of Orion is celebrated is East and vertical on the horizon.
Orion aligns with something in the deity’s hand beneath another orb. I suggest this is showing the world and star of the ancestor deities.
Notice the ‘ship’ on which the deity to the right is standing. It has a ‘streamer’ emission coming out of the back of the lotus flower section, which then wraps itself around a second deity. I propose that this is what the traditional elders call cosmic serpents. Just like in Egypt, it is the cosmic wormhole conduit wrapped around the ‘god’ to teach that it is he who travels through these portals. Portals, which we too will some day soon witness in reality!
The serpent belt could be speaking about something else: It could be suggesting that the serpent conduit travel route follows Orion’s Belt and that we have here an Orion genesis deity which is common in other ancient sites. This ‘serpent belt’ is what is depicted in the Bulgandry petroglyph that follows further on in the article. The problem in the Bulgandry depiction, if it is a serpent depiction showing the way, why does it appear quite different? It may not be a comet at all as we will find out later on! Australian legend also calls Orion's belt... a pan with handle
I also support the general ancient astronaut hypothesis here, mainly for the matching Egyptian detail I am well familiar with.
In the image below I show a comparison with the Dendera temple murals and the Senmut Tomb. The Australian celestial ship depiction is exactly in the style of the Egyptian renditions
Not only is the man standing in a small curved cross-section style ship, but there are the breakthrough lotus flower-type front and rear parts of the ‘ship’ and further significance is achieved with Orion in the same orientation – in a theme speaking of the place of their ancestors.
But are there any depictions in Egypt of a serpent emerging from the lotus effect anomaly on the celestial ships that is shown in Egypt?
That answer is yes.
In the same mural to the far left there it is... clear as day.
Seen in this Sumerian scroll seal print I hold here are: Firstly, the same flying disc ships of the deities that came from the stars. Secondly, Orion's belt shown in the same correct orientation with the Pleiades (in the upper section). The Sumerians also depict cosmic serpents which I cover on my Sumerian star map page.
There is a lot more to be confirmed here. The Pleiades in the Australian cave mural seemed missing at first. But then I heard of a depiction there that the experts were commenting on. It was a cluster of faces... a cluster of seven faces of the ancestors and it is a part of the tradition of the three men in a canoe (Orion’s Belt) sailing to these deities. See the tradition account at the end of the article.
I am sure this is what they are looking at: A section of the mural already well recognised in other caves and murals. Although these findings still need to be confirmed, for now mouse-over the image below to see what might be there.
The million dollar question: Is this an ancient Egyptian connection genesis of humanity in Australia that later founded Egypt because the petroglyphs are said to be over 17,000 years old? Or... are we just seeing a matching teaching style found globally? The same style of teaching by the same star visitors? Were these celestial beings, who are also connected to our origins, on a teaching campaign here on Earth? Teaching us what we had lost? The latter is my hypothesis mainly because common megalithic beginnings are to be found all around the world at the same time. This suggests Earth colonisation. If humanity did start in Australia it would have had a far greater prevalence of megalithic structures, inscribed records and artifacts found everywhere along its beautiful coastlines.
Famous Australian researcher and explorer Sir Walter Baldwin Spencer in 1912 documented something quite extraordinary on the Warumangu Aboriginal tribe in ceremony in the western territory area ref .
According to Spencer the tradition of this tribe believe not just in the Pleiades ancestor belief but more.
They traced out on the ground with very carefull precision what they say are three realms in almost Norse-like tradition of their ancestors ref .
In the image below note some remarkable identical traits to the other ancient civilisations view on what I call a solar Trinity teaching ref .
Firstly for me the triangulation of the three realms positioning with a 'V' symbol speaks volumes.
Secondly they position the most important ancestor realm at the apex of the 'V' exactly like all other ancient civilisations.
But here is the amazing part of it all... They paint themselves with part of the narration of a celestial journey to get to the ancestors. Two chose to adorn themselves with the cross symbol of stars which I believe is Orion and the other two wear what some scholars refer to as the sacred sky canoe and water way.
Most Aboriginal tradition associates Orion's Belt with three men in a canoe, on a journey... going towards a sacred ancestor place. This is how I realised they also share knowledge of Orion's Belt as a 'way shower' following alignment to find Pleiades area. The Milky Way perhaps seen here as the cosmic river to get to the destination. I am sure this will be argued by many in all sorts of directions but one has to look at what is both common with all Aboriginal tradition and what is common globally in this lost history.
One of my most graphic representations of the ancient star map I propose that is being repeated in almost every ancient civilisation has to be the image below of Stonehenge. It depicts the orientation of Pleiades representation correlation by the winterbourne Barrows in position to the 'x' Sun star with worlds of the ancestors that marks the spot. Yes there are actually two more suns in this star area but in all the star maps one sun star is more important than all the others qualifying as 'the first place' of human civilisation in the cosmos. The Sun star chosen as follows.
What you are now about to witness are some breathtaking old Australian Aboriginal Dreamtime artworks reproduced by native traditional Aboriginal artists that go into deep trance and connect with a spiritual 'force' and source of great knowledge.
These artists are not your everyday public that collect books, watch TV and go on the internet. These are usually elderly people that practice trance ritual and live in simple life tribal settlements far away from the modern world.
Some will argue that its connecting with God Creation, some will say its connecting with a spirit. Either way the transfer of important human record information here can now be evaluated and compared with the other ancient star maps found around the world.
From my own spiritual experience in the deepest trance of all, an NDE event when one has a heart stop for exceptionally long period of time like I experienced
I believe the artists are connecting with the life source of the universe itself, home, Akashic Records, God Creation. Here the soul usually has the first most powerful spiritual questions of all to ask our Creational source of light. Who am I? It is followed with two answers, one the star maps explain our flesh and blood ancestors, the other on our spiritual home, The cosmic Tree of Life. Both are shown in vibrant detail and wormholes to get there, exactly like the Dreamtime artwork here.
Click each image to get a link to the Dreamtime artist work and how the Aboriginal belief is common. They are all descendants of ancestors from the Pleiades. Look closely at this image above. Pleiades in position compared to Stonehenge image of the mounds orientation and the line of 'showing the way' to the Sun star. There actually is a Sun position by the artist next to the alignment line (Same as my NDE) and it is shown with seven radiant lines! Just like the Kariong Gosford Sun star depiction higher up on this page and in the Freemason star Map!
There is more... Note the position of the second Sun star at the bottom of the the image with people coming out of it. In the star maps found all around the world it is classed Secondary Sol star out of the 3 Sun stars and this is the second most important one where I deciphered in the Mars star map as fitting the human evolution origin sun star system position. Coincidence? ref
The question of one artist here fabricating this detail is now absolutely answered! It is exactly like the ancient sites all over the world.
There are also three well known artists here all coincidently depicting the same themes... all presenting Dreamtime artworks of absolute accurate orientation and distance of a precise positioned Sun star of our ancestors, some apparently predating the published date of my work completely.
So whats the big deal if these Dreamtime art images predate my star map published work? The answer is mind blowing...
It shows they did not copy my controversial Sun star position theory. It shows the soul can do amazing things in deep trance. There are more cases of this artwork that is even older than the examples on line here. What about the cave paintings of Dreamtime? Watch this space.
Since the era of hunting gathering and farming the native Aboriginals were first invaded by the modern world in the 1600's and forced to evacuate land and make space for new colonies
The first British colony began in 1770 ref and it wasnt too long that the first Australian cities followed.
Was Australian colonisation immersed in European Masonic history like the founding of North American colonisation and founding of Washington DC ref as a star map city?
That answer is... yes. ref
Australia colonisation began with similar masonic historical figures and built for example its capital city as Canberra ref with same star secret displayed in Washington DC as you see below.
It seems well known on the internet that Canberra's primary building chose the constellation Orion as its template, depicting three pyramid structures in a row like Giza in Egypt in place of the Belt stars too. I proposed in 2003 Orion's Belt is the cross of the churches as a "way shower" to the Bethlehem star of Christos ref
Google Earth Canberra and it will place you on the star seen in the image. Its easy to see the Masonic 33 degree dividers depicted where one point of the dividers is placed on this star. Note: In my work to date I propose and prove there is 33 degrees of arc measured in astronomy between the sun star Sol1 and Orion's Belt ref.
Another interesting feature is that there is a causeway aligning with the three Belt star 'pyramids' of the Building to a circular field ... just like we find in the Washington DC template. Look closely at this in the bottom off the image here. Later it will be discussed and in comparison to the two other circular fields nearby. The same masonic secret is mirrored in the Australian flag.
The flag includes the British Colony Union Jack that has its origins duplicated from the True Cross of the churches which I propose celebrates Orion's Belt as the celestial mechanism that shows the way to a Sun-star.
But notice the clues the designers chose to tell their story about their knowledge of the True Cross and Sun star. Firstly there is a primary star shown here with seven rays of light. This originates from Helios mythology and Mithrus celestial Bull worship and yes, just like the secret of Lady Liberty ... here is the Blazing sun-star ref.
As a grand display of 'knowing', the founding Australian settling historians placed their Southern Cross constellation only seen in the Southern Hemisphere to say.. "Hey... we know the Union Jack is the cross of stars showing the way to the ultimate sacred Blazing star but we also celebrate our own cross of stars you cannot see in the north as it is seen only here in our sky. Here we celebrate our colonisation".
There is a little more here and I want to call it out as a possible choice of using Orion's Belt and the special star and orbs in the layout plan design of Canberra. Is it just a coincidence the Aboriginal rock painting that follows used Orion's Belt in a mural dating thousands of years earlier than the colonisation date, in the exact same way?
I have not been at all well received by a local father and son research team in Australia (who are not archaeologists) that started at Gosford with their own controversial 'ethics and protocols' since 2011 according to an archaeologist's logged record ref .
I wrote to them and respectfully asked to reference some material I thought was their findings while mentioning I had previously established an original Pleiades human origin theory since 1997 ( newspaper articles
ref and my book since 2003 ref
) and I was going to do an article on some of my own new findings in Gosford while building on what I thought was their findings.
My theories fit the general known Aboriginal tradition of Pleiades ancestor belief that has been published by many authors since the early 1920's.
I don't agree with their claim that fossil cup marks there are ancient man made carvings and that they are a star map at Gosford after a university expert proved they were natural. But most of all I dont agree with their use of a fake artifact claiming it was an Egyptian artifact found in Australia or their claims some natural stones with lines in them are artifacts. I disagree completely that all humanity are descendants of the Aboriginal genus. The Aboriginal lineage were not an established megalithic advanced culture at all, but their Egyptian visitors were.
The Aboriginal lineage like all of us appear to be descendants of much earlier human star visitor ancestors from the Pleiades area. Many cultures around the world I believe were later visited and probably helped in building megaliths celebrating their star visitor history. It seems the Aboriginal tribes did not make the transition through any megalith building or mysteriously advanced periods at all and remained hunters and gatherers until the European invasions.
A few months after my article released I was asked by them to remove all mention of them completely on my website. This made sense as I had also just discovered the celestial ship symbol theory was a previous researcher's claim in 2002
ref and the tomb discovery claim too was made by Ray Johnson in 1994
ref so I did not need to reference auything of their work.
It was followed by something quite unexpected, I was in short told as follows:
"Wayne 'our' elders here agree with us that you and your representatives must keep away from the site at all costs. You need to first fly over to Australia and sit a series of interviews with us and then in time we will decide when you can be active on site here." (On record).
My response: They have absolutley no grounds to claim control of the Gosford Glyphs rock site because it is part of a public free access park allowing people to study it and photograph it. This rock area itself does not yet have a strict archaeological protection that it deserves. It is therefore in the interests of trying to secure local preservation of the site itself that I get on with my photographs and filming there. This will be done through my contacts who are local people there, both university people and general researchers. We will follow with a dedicated spiritual approach just as I teach others about ref and also following all current laws and protocols to help get it officially recognised and protected.
This story is far from over. Is there more here? The scientists want to do further testing on dating the glyphs and a fossil expert is keen to put a name to the fossils on the rock platform. There is lot more going on here that can't be discussed just yet. More images are also being studied and maybe even the unthinkable, just like in Egypt research. The geology expert thinks there is high probability inspired by the text claim and the strange area near the glyphs where the possibilities exist of a big undiscovered burial chamber holding the 'lost star visitor'. Will it be possible to use subterranean acoustic testing for cavities there? Its now all in the hands of some motivated experts.
Due to the previous 'attack' made to the researchers involved who are local experts, they insist in doing this article that I add their point of view here:
"We are not interested in other 'opposing' researchers religious belief about restricting access to scholars or any other researcher to a site that is firstly legally a public park and secondly not yet proven a 'traditional' burial ground. We insist also that we remain anonymous due to fellow scholars negative feelings about this site as well as what might turn out to be a shocking twist to the story we are interested in".
I will offer coverage of their latest data very soon and present new evidence or their interpretations, or info on the current film documentary they might be involved in, or my own interpretations of the new data.